Ursula K Le Guin Quotes - Page 3

The Earth is beautiful, and bright, and kindly, but that is not all. The Earth is also terrible, and dark, and cruel. The rabbit shrieks dying in the green meadows. The mountains clench their great hands full of hidden fire. There are sharks in the sea, and there is cruelty in men's eyes. And where men worship these things and abase themselves before them, there evil breeds; there places are made in the world where darkness gathers, places given over wholly to the Ones whom we call Nameless, the ancient and holy Powers of the Earth before the Light, the powers of the dark, of ruin, of madness.

In the airport, luggage-laden people rush hither and yon through endless corridors, like souls to each of whom the devil has furnished a different, inaccurate map of the escape route from hell.

But you're so strong. I wish I were strong. I just like eating.

All her life she had looked into dark; but this was a vaster darkness, this night on the ocean. There was no end to it. There was no roof. It went out beyond the stars.

Independence was as far as his mind could reach. Yet I think his mind groped further, towards what he could not see, the body's obscure, inalterable dream of mutuality.

The truth is that as a man's real power grows and his knowledge widens, ever the way he can follow grows narrower: until at last he chooses nothing but does only and wholly what he must do.

I had forgotten how much light there is in the world, till you gave it back to me.

There is nothing you can do that profit does not enter into, and fear of loss, and wish for power. You cannot say good morning without knowing which of you is 'superior' to the other, or trying to prove it. You cannot act like a brother to other people, you must manipulate them, or command them, or obey them, or trick them. You cannot touch another person, yet they will not leave you alone. There is no freedom.

Tenar, I go where I am sent. I follow my calling. It has not yet let me stay in any land for long. Do you see that? I do what I must do. Where I go, I must go alone. So long as you need me, I’ll be with you in Havnor. And if you ever need me again, call me. I will come. I would come from my grave if you called me, Tenar! But I cannot stay with you.

Nobody who says, ‘I told you so’ has ever been, or will ever be, a hero.

The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.

You are rich. You own. We are poor. We lack. You have. We do not have. Everything is beautiful here, only not the faces. On Anarres nothing is beautiful, nothing but the faces. The other faces. The men and women. We have nothing but that, nothing but each other. Here you see the jewels. There you see the eyes. And in the eyes you see the splendor, the splendor of the human spirit, because our men and women are free possessing nothing. They are free. And you, the possessors are possessed. You are all in jail, each alone, solitary with a heap of what he owns. You live in prison, die in prison. It is all I can see in your eyes, the wall, the wall.

I always wondered why the makers leave housekeeping and cooking out of their tales. Isn't it what all the great wars and battles are fought for -- so that at day's end a family may eat together in a peaceful house? The tale tells how the Lords of Manva hunted & gathered roots & cooked their suppers while they were camped in exile in the foothills of Sul, but it doesn't say what their wives & children were living on in their city left ruined & desolate by the enemy. They were finding food too, somehow, cleaning house & honoring the gods, the way we did in the siege & under the tyranny of the Alds. When the heroes came back from the mountain, they were welcomed with a feast. I'd like to know what the food was and how the women managed it.

But it is one thing to read about dragons and another to meet them.

On a world where a common table implement is a little device with which you crack the ice that has formed on your drink between drafts, hot beer is a thing you come to appreciate.

The Tao Te Ching is partly in prose, partly in verse; but as we define poetry now, not by rhyme and meter but as a patterned intensity of language, the whole thing is poetry. I wanted to catch that poetry, its terse, strange beauty. Most translations have caught meanings in their net, but prosily, letting the beauty slip through. And in poetry, beauty is no ornament; it is the meaning. It is the truth. We have that on good authority.

The power of the harasser, the abuser, the rapist depends above all on the silence of women.

They let us be, here, in the cage of our ignorance.

The doctor was not, he thought, really sure that anyone else existed, and wanted to prove they did by helping them.

I have told the story I was asked to tell. I have closed it, as so many stories close, with a joining of two people. What is one man's and one woman's love and desire, against the history of two worlds, the great revolutions of our lifetimes, the hope, the unending cruelty of our species? A little thing. But a key is a little thing, next to the door it opens. If you lose the key, the door may never be unlocked. It is in our bodies that we lose or begin our freedom, in our bodies that we accept or end our slavery. So I wrote this book for my friend, with whom I have lived and will die free.

Every book purchase made from Amazon is a vote for a culture without content and without contentment.

Oh, never and forever aren't for mortals, love. But we won't be parted till I know it's right that we part.

I never knew anybody . . . who found life simple. I think a life or a time looks simple when you leave out the details.

The Earth is beautiful, and bright, and kindly, but that is not all. The Earth is also terrible, and dark, and cruel. The rabbit shrieks dying in the green meadows. The mountains clench their great hands full of hidden fire. There are sharks in the sea, and there is cruelty in men’s eyes.

There have been great societies that did not use the wheel, but there have been no societies that did not tell stories.

What good is power when you're too wise to use it?

If women had power what would men be but women who can't bear children? And what would women be but men who can?

For if it's all the rest of us who are killed by the suicide, it's himself whom the murderer kills; only he has to do is over, and over, and over.

[H.G. Wells said] that his method was "to trick his reader into an unwary concession to some plausible assumption and get on with his story while the illusion holds." Such prestidigitation is a characteristic ploy of science fiction: to make a nonexistent entity or impossible premise acceptable (often by scientific-sounding terms such as telepathy, extraterrestrial, cavorite, FTL speed) and then follow through with a genuinely realistic, logically coherent description of the effects and implica

All brightness was gone, leaving nothing. We stepped out of the tent onto nothing. Sledge and tent were there, Estraven stood beside me, but neither he nor I cast any shadow. There was dull light all around, everywhere. When we walked on the crisp snow no shadow showed the footprint. We left no track. Sledge, tent, himself, myself: nothing else at all. No sun, no sky, no horizon, no world.

A dark hand had let go its lifelong hold upon her heart. But she did not feel joy, as she had in the mountains. She put her head down in her arms and cried, and her cheeks were salt and wet. She cried for the waste of her years in bondage to a useless evil. She wept in pain, because she was free.

I wondered, not for the first time, what patriotism is, what the love of country truly consists of, how that yearning loyalty that had shaken my friend's voice arises: and how so real a love can become, too often, so foolish and vile a bigotry. Where does it go wrong?

I have this, this gift, I know that; and I know my obligation to it.

Not even need and love can defeat fate...

I was with you at the beginning of your journey. It is right that I should follow you to its end.

One of the rocks in my soulbag, a little grey rock that I had picked up on a certain day in a certain place in the hills above the river in the Silver Time, a little piece of my world, that became my world. |Every night I took it out and held it in my hand while I lay in bed waiting to sleep, thinking of the sunlight on the hills above the river, listening to the soft shushing of the ship’s systems, like a mechanical sea

He looked at me. His firm, broad face showed weight-loss in deep shadows under the cheekbones, his eyes were sunken and his mouth sorely chapped and cracked. God knows what I looked like, when he looked like that. He smiled. 'With luck we shall make it, and without luck we shall not.'

Grieving, like being blind, is a strange business; you have to learn how to do it. We seek company in mourning, but after the early bursts of tears, after the praises have been spoken, and the good days remembered, and the lament cried, and the grave closed, there is no company in grief. It is a burden borne alone.

Truth is a matter of the imagination. The soundest fact may fail or prevail in the style of its telling: like that singular organic jewel of our seas, which grows brighter as one woman wears it and, worn by another, dulls and goes to dust. Facts are no more solid, coherent, round, and real than pearls are.

People need God the way a three-year-old needs a chainsaw.

Critics and academics have been trying for forty years to bury the greatest work of imaginative fiction in English. They ignore it, they condescend to it, they stand in large groups with their backs to it - because they're afraid of it. They're afraid of dragons. They have Smaugophobia. "Oh those awful Orcs," they bleat, flocking after Edmund Wilson. They know if they acknowledge Tolkien they'll have to admit that fantasy can be literature, and that therefore they'll have to redefine what literature is. And they're too damned lazy to do it.

Without language, they have no lies. Thus they have no future.

Ged had neither lost nor won but, naming the shadow of his death with his own name, had made himself whole: a man: who, knowing his whole true self, cannot be used or possessed by any power other than himself, and whose life therefore is lived for life's sake and never in the service of ruin, or pain, or hatred, or the dark.

And I did nothing, nothing but try to hide from the horror of dying." He stopped, for saying the truth aloud was unendurable. It was not shame that stopped him, but fear, the same fear. He knew now why this tranquil life in sea and sunlight on the rafts seemed to him like an after-life or a dream, unreal. It was because he knew in his heart that reality was empty: without life or warmth or color or sound: without meaning. There were no heights or depths. All this lovely play of form and light and color on the sea and in the eyes of men, was no more than that, a playing of illusions on the shallow void.

A profound love between two people involves, after all, the power and chance of doing profound hurt.

Hardly anybody ever writes anything nice about introverts. Extroverts rule. This is rather odd when you realise that about nineteen writers out of twenty are introverts. We are been taught to be ashamed of not being 'outgoing'. But a writer's job is ingoing.

Words are events, they do things, change things. They transform both speaker and hearer; they feed energy back and forth and amplify it

If the rowan's roots are shallow, it bears no crown.

He seemed not to know the uses of silence.

If a book were written all in numbers, it would be true. It would be just. Nothing said in words ever came out quite even. Things in words got twisted and ran together, instead of staying straight and fitting together. But underneath the words, at the center, like the center of the Square, it all came out even. Everything could change, yet nothing would be lost. If you saw the numbers you could see that, the balance, the pattern. You saw the foundations of the world. And they were solid.

The world is sacred, of course, it is full of gods, numina, great powers and presences. We give some of them names – Mars of the fields and the war; Vesta the fire; Ceres the grain; Mother Tellus the earth; the Penates of the storehouse. The rivers, the springs. And in the stormcloud and the light is the great power called the father god. But they aren’t people. They don’t love and hate, they aren’t for or against. They accept the worship due them, which augments their power, through which we live.

A man does not make his destiny: he accepts it or denies it.

Collaborative workshops and writers' peer groups hadn't been invented when I was young. They're a wonderful invention. They put the writer into a community of people all working at the same art, the kind of group musicians and painters and dancers have always had.

He tried to read an elementary economics text; it bored him past endurance, it was like listening to somebody interminably recounting a long and stupid dream. He could not force himself to understand how banks functioned and so forth, because all the operations of capitalism were as meaningless to him as the rites of a primitive religion, as barbaric, as elaborate, and as unnecessary. In a human sacrifice to deity there might be at least a mistaken and terrible beauty; in the rites of the moneychangers, where greed, laziness, and envy were assumed to move all men's acts, even the terrible became banal.

In modern fantasy (literary or governmental), killing people is the usual solution to the so-called war between good and evil.

Imagination grows by exercise and contrary to common belief is more powerful in the mature than in the young.

And I wondered, not for the first time, what patriotism is, what the love of country truly consists of, how that yearning loyalty that had shaken my friend's voice arises, and how a real love can become, too often, so foolish and vile a bigotry. Where does it go wrong?

We have inhabited both the actual and the imaginary realms for a long time. But we don't live in either place the way our parents or ancestors did. Enchantment alters with age, and with the age.We know a dozen Arthurs now, all of them true. The Shire changed irrevocably even in Bilbo's lifetime. Don Quixote went riding out to Argentina and met Jorge Luis Borges there. Plus c'est la même chose, plus ça change.

In diversity is life and where there's life there's hope, was the general sum of his creed, a modest one to be sure.

As often as we made love I remembered what my poet told me, that this man was born of a goddess, the force that moves the stars and the waves of the sea and couples the animals in the fields in spring, the power of passion, the light of the evening star.