Ursula K Le Guin Quotes - Page 2

But she knew, though very vaguely, that she was crying, because hope hurts terribly when it breaks through the resignation in which you have lived for days.

Page 15, paperback version by Virago Press 1997: ... Let me ask you this, Mr Ai: do you know, by your own experience, what patriotism is?” ‘No’, I said, shaken by the force of the intese personality suddenly turning itself wholly upon me. ‘I don´t think I do. If by patriotism you don´t mean the love of one`s homeland, for that I do know.’ ‘No, I don’t mean love, when I say patriotism. I mean fear. The fear of the other. And its expressions are political, not poetical: hate, rivalry, aggression. It grows in us, that fear. It grows in us year by year. We’ve followed our road too far. And you, who hardly know what I’m talking about, who show us the new road –‘ He broke off. After a while he went on, in control again, cool and polite: ‘It’s because of fear that I refuse to urge your cause with the king, now. But not fear for myself, Mr. Ai. I’m not acting patriotically. There are, after all, other nations on Gethen.

If nobody teaches us the words, the thoughts, we stay ignorant. If nobody shows a little child, two, three years old, how to look for the way, the signs of the path, the landmarks, then it gets lost in the mountain, doesn't it? And dies in the night, in the cold.

Would you give up the craft of your hands, and the passion of your heart, and the hunger of your mind, to buy safety?

Without war there are no heroes.""What harm would that be?""Oh, Lavinia, what a woman's question that is.

It was easy to share when there was enough, even barely enough, to go round. But when there was not enough? Then force entered in; might making right; power, and its tool, violence, and its most devoted ally, the averted eye.

The constrained body knows and values the freedom of the mind.

We need writers who know the difference between the production of a commodity and the practice of an art.

I know perfectly well he's a god, too. But what I think is he'll be much godlier after he's dead.

When action grows unprofitable, gather information; when information grows unprofitable, sleep.

Dead anarchists make martyrs, you know, and keep living for centuries. But absent ones can be forgotten.

But need alone is not enough to set power free: there must be knowledge.

I use your love as a man burns a candle, burns it away, to light his steps.

They argued because they liked argument, liked the swift run of the unfettered mind along the paths of possibility, liked to question what was not questioned.

If women had power, what would men be but women who can't bear children? And what would women be but men who can?...I mean, men give her [a queen] power. They let her use their power. But it isn't hers, is it? It isn't because she's a woman that she's powerful, but despite it.

He copulated with a number of girls, but copulation was not the joy it ought to be. It was a mere relief of need, like evacuating, and he felt ashamed of it afterward because it involved another person as object.

So maybe the difference isn't language. Maybe it's this: animals do neither good nor evil. They do as they must do. We may call what they do harmful or useful, but good and evil belong to us, who chose to choose what we do. The dragons are dangerous, yes. They can do harm, yes. But they're not evil. They're beneath our morality, if you will, like any animal. Or beyond it. They have nothing to do with it. We must choose and choose again. The animals need only be and do. We're yoked, and they're free. So to be with an animal is to know a little freedom...

You always have to defend the imagination against idiots.

Some dreams tell us what we wish to believe. Some dreams tell us what we fear. Some dreams are of what we know though we may not know we know it. The rarest dream is the dream that tells us what we have not known.

Pride kept her from confiding in the other girls, and caution kept her from confessing to the older women.

... privilege was obligation; command was service; power, the gift itself, entailed a heavy loss of freedom.

If the foreman had no experience in bossing a mob, they had no experience in being one. Members of a community, not elements of a collectivity, they were not moved by mass feeling; there were as many emotions there as there were people. And they did not expect commands to be arbitrary, so they had no practice in disobeying them. Their inexperience saved the passenger's life.

I believe that all novels, ... deal with character, and that it is to express character – not to preach doctrines, sing songs, or celebrate the glories of the British Empire, that the form of the novel, so clumsy, verbose, and undramatic, so rich, elastic, and alive, has been evolved ... The great novelists have brought us to see whatever they wish us to see through some character. Otherwise they would not be novelists, but poet, historians, or pamphleteers.

Under his feet he felt the hillroots going down and down into the dark, and over his head he saw the dry, far fires of the stars. Between, all things were his to order, to command. He stood at the center of the world.

He had been trying to measure the distance between the earth and God.

With ceremony, with forms of politeness and reassurance, they borrowed the waters of the River and its little confluents to drink and be clean and irrigate with, using water mindfully, carefully. They lived in a land that answers greed with drought and death. A difficult land: aloof yet sensitive.

The only social change presented by most SF has been towards authoritarianism, the domination of ignorant masses by a powerful elite—sometimes presented as a warning, but often quite complacently. Socialism is never considered as an alternative, and democracy is quite forgotten. Military virtues are taken as ethical ones. Wealth is assumed to be a righteous goal and a personal virtue. Competitive free-enterprise capitalism is the economic destiny of the entire Galaxy. In general, American SF has assumed a permanent hierarchy of superiors and inferiors, with rich, ambitious, aggressive males at the top, then a great gap, and then at the bottom the poor, the uneducated, the faceless masses, and all the women.

The unknown," said Faxe's soft voice in the forest, "the unforetold, the unproven, that is what life is based on. Ignorance is the ground of thought. Unproof is the ground of action. If it were proven that there is no God there would be no religion. No Handdara, no Yomesh, no hearthgods, nothing. But also if it were proven that there is a God, there would be no religion. ... Tell me, Genry, what is known? What is sure, unpredictable, inevitable -- the one certain thing you know concerning your future, and mine?"That we shall die."Yes, There's really only one question that can be answered, Genry, and we already know the answer. ... The only thing that makes life possible is permanent, intolerable uncertainty: not knowing what comes next.

Making female noises, shrieking and squeaking and being shrill, all those things that annoy people with longer vocal cords. Another case where the length of organs seems to be so important to men.

There must be darkness to see the stars.

I never knew anybody, anywhere I have been, who found life simple. I think a life or a time looks simple when you leave out the details, the way a planet looks smooth, from orbit.

An Odonian undertook monogamy just as he might undertake a joint enterprise in production, a ballet or a soap-works. Partnership was a voluntarily constituted federation like any other. So long as it worked, it worked, and if it didn't work it stopped being. It was not an institution but a function. It had no sanction but that of private conscience.

There's a saying," Aeneas said: "Keep an eye on Greeks when they offer gifts." He spoke wryly. "Horses, particularly.

The premise is: everybody's like me and we all think alike.The corollary is: people who don't think like me don't matter.

There seems to be a firewall in my mind against ideas expressed in numbers and graphs rather than words, or in abstract words such as Sin or Creativity. I just don’t understand. And incomprehension is boredom.

The First Mobile, if one is sent, must be warned that unless he is very self-assured, or senile, his pride will suffer. A man wants his virility regarded, a woman wants her femininity appreciated, however indirect and subtle the indications of regard and appreciation. On Winter they will not exist. One is respected and judged only as a human being. It is an appalling experience.

For discipline is the channel in which our acts run strong and deep; where there is no direction, the deeds of men run shallow and wander and are wasted.

The explorer who will not come back or send back his ships to tell his tale is not an explorer, only an adventurer; and his sons are born in exile.

I know that I am going to meet a personal variation on reality; a partial view of reality. But I know also that by that partiality, that distancing from the shared experience, it will be new: a revelation. It will be a vision, a more or less powerful or haunting dream. A space-voyage through somebody else's psychic abysses. It will fall short of tragedy, because tragedy is the truth, and truth is what the very great artists, the absolute novelists, tell. It will not be truth; but it will be imagination. Truth is best. For it encompasses tragedy and partakes of the eternal joy. But very few of us know it; the best we can do is recognize it. Imagination - to me - is the next best. For it partakes of Creation, which is one aspect of the eternal joy. All the rest is either Politics or Pedantry, or Mainstream Fiction, may it rest in peace.

Let us consider Elfland as a great national park, a vast and beautiful place where a person goes by himself, on foot, to get in touch with reality in a special, private, profound fashion. But what happens when it is considered merely as a place to "get away to"?Well, you know what has happened to Yosemite. Everybody comes, not with an ax and a box of matches, but in a trailer with a motorbike on the back and a motorboat on top and a butane stove, five aluminum folding chairs, and a transistor radio on the inside. They arrive totally encapsulated in a secondhand reality. And then they move on to Yellowstone, and it's just the same there, all trailers and transistors. They go from park to park, but they never really go anywhere; except when one of them who thinks that even the wildlife isn't real gets chewed up by a genuine, firsthand bear.The same sort of thing seems to be happening to Elfland, lately.

...All who ever died, live; they are reborn and have no end, nor will there ever be an end. All, save you. For you would not have death. You lost death, you lost life, in order to save yourself. Yourself! Your immortal self! What is it? Who are you?""I am myself. My body will not decay and die-""A living body suffers pain, Cob; a living body grows old; it dies. Death is the price we pay for our life and for all life.""I do not pay it! I can die and in that moment live again! I cannot be killed; I am immortal. I alone am myself forever!""Who are you, then?""The Immortal One.""Say your name.""The King.""Say my name. I told it to you but a minute since. Say my name!""You are not real. You have no name. Only I exist.""You exist: without name, without form. You cannot see the light of day; you cannot see the dark. You sold the green earth and the sun and stars to save yourself. But you have no self. All that which you sold, that is yourself. You have given everything for nothing. And so now you seek to draw your world to you, all that light and life you lost, to fill up your nothingness. But it cannot be filled. Not all the songs of earth, not all the stars of heaven, could fill your emptiness.

Shevek saw that he had touched in these men an impersonal animosity that went very deep. Apparently they, like the tables on the ship, contained a woman, a suppressed, silenced, bestialized woman, a fury in a cage. He had no right to tease them. They knew no relation but possession. They were possessed.

Judgement is poverty.

Many people would have to hang by their teeth from a frayed cord suspended by a paper clip from a leaking hot air balloon over the Grand Canyon in order to feel what I feel standing on the third step of a stepladder trying to put millet in the bird feeder.

Because there is nothing, nothing on Urras that we Anarresti need! We left with empty hands, a hundred and seventy years ago, and we were right. We took nothing. Because there is nothing here but States and their weapons, the rich and their lies, and the poor and their misery. There is no way to act rightly, with a clear heart, on Urras. There is nothing you can do that profit does not enter into, and fear of loss, and the wish for power. You cannot say good morning without knowing which of you is ‘superior’ to the other, or trying to prove it. You cannot act like a brother to other people, you must manipulate them, or command them, or obey them, or trick them. You cannot touch another person, yet they will not leave you alone. There is no freedom. It is a box—Urras is a box, a package, with all the beautiful wrapping of blue sky and meadows and forests and great cities. And you open the box, and what is inside it? A black cellar full of dust, and a dead man. A man whose hand was shot off because he held it out to others.

Other people's stories may become part of your own, the foundation of it, the ground it goes on.

But if modesty is interpreted not as diffidence or self-effacingness, but as non-overweening, a realistic assessment of the job to be done and one's ability to do it, then you might say the chief virtue of excellent artists is their modesty...But knowing your limits and going to them isn't arrogance. It's greatness of spirit.

Her concern with landscapes and living creatures was passionate. This concern, feebly called, "the love of nature" seemed to Shevek to be something much broader than love. There are souls, he thought, whose umbilicus has never been cut. They never got weaned from the universe. They do not understand death as an enemy; they look forward to rotting and turning into humus. It was strange to see Takver take a leaf into her hand, or even a rock. She became an extension of it, it of her.

Only pain is intellectual, only evil interesting.

Civilized Man says: I am Self, I am Master, all the rest is other--outside, below, underneath, subservient. I own, I use, I explore, I exploit, I control. What I do is what matters. What I want is what matter is for. I am that I am, and the rest is women & wilderness, to be used as I see fit.

A woman has her Juno, just as a man has his Genius; they are names for the sacred power, the divine spark we each of us have in us. My Juno can't "get into" me, it is already my deepest self. The poet was speaking of Juno as if it were a person, a woman, with likes and dislikes: a jealous woman.The world is sacred, of course, it is full of gods, numina, great powers and presences. We give some of them names--Mars of the fields and the war, Vesta the fire, Ceres the grain, Mother Tellus the earth, the Penates of the storehouse. The rivers, the springs. And in the storm cloud and the light is the great power called the father god. But they aren't people. They don't love and hate, they aren't for or against. They accept the worship due them, which augments their power, through which we live.

Suffering is the condition on which we live. And when it comes you know it. You know it as the truth. Of course it's right to cure diseases, to prevent hunger and injustice, as the social organism does. But no society can change the nature of its existence. We can't prevent suffering. This pain and that pain, yes, but not Pain. A society can only relieve social suffering - unnecessary suffering. The rest remains. The root, the reality.

My world, my Earth is a ruin. A planet spoiled by the human species. We multiplied and fought and gobbled until there was nothing left, and then we died. We controlled neither appetite nor violence; we did not adapt. We destroyed ourselves. But we destroyed the world first.

I thought the same thing, exactly. We always say that. you said it--you should have refused to go to Rolny. I said it as soon as I got to Elbow; I'm a free man. I didn't have to come here!...We always think it, and say it, but we don't do it. We keep our initiative tucked away safe in our mind, like a room where we can come and say, 'I don't have to do anything, I make my own choices, I'm free.' And then we leave the little room in our mind, and go where PDC posts us, and stay till we're reposted.

He, after all, had no standards of manliness, of virility, to complicate his pride.

If one believes that words are acts, as I do, then one must hold writers responsible for what their words do.

They praised his modesty and did not listen to him, for listening is a rare gift, and men will have their heroes.

To exchange all the goodness and grace of every life in Omelas for that single, small improvement: to throw away the happiness of thousands for the chance of the happiness of one: that would be to let guilt within the walls indeed.

Meeting writers is always so disappointing. I got over wanting to meet live writers quite a long time ago. There is this terrific book that has changed your life, and then you meet the author, and he has shifty eyes and funny shoes and he won't talk about anything except the injustice of the United States income tax structure toward people with fluctuating income, or how to breed Black Angus cows, or something.

We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.