Toni Morrison Quotes - Page 3

In fact her maturity and blood kinship converted her passion to fever, so it was more affliction than affection. It literally knocked her down at night, and raised her up in the morning, for when she dragged herself off to bed, having spent another day without his presence, her heart beat like a gloved fist against her ribs. And in the morning, long before she was fully awake, she felt a longing so bitter and tight it yanked her out of a sleep swept clean of dreams.

Not like the me was some tough somebody, or somebody she had put together for show. But like, like somebody she favored and could count on. A secret somebody you didn't have to feel sorry for or have to fight for. -Felice

The best thing she was, was her children.

In time the whole family perked up like Sesame Street puppets, hoping that cheer, if worked at hard enough, could sugar the living and quiet the dead.

I want to remind us all that art is dangerous. I want to remind you of the history of artists who have been murdered, slaughtered, imprisoned, chopped up, refused entrance. The history of art, whether it's in music or written or what have you, has always been bloody, because dictators and people in office and people who want to control and deceive know exactly the people who will disturb their plans.And those people are artists. They're the ones that sing the truth. And that is something that society has got to protect. But when you enter that field, no matter whether that's Sonia's poetry or Ta-Nehisi's rather startlingly clear prose, it's a dangerous pursuit. Somebody's out to get you. You have to know it before you start, and do it under those circumstances, because it is one of the most important things that human beings do.

Nobody loves the head of a dandelion. Maybe because they are so many, strong, and soon.

No gasp at a miracle that is truly miraculous because the magic lies in the fact that you knew it was there for you all along.

There is honey in this land sweeter than any I know of, and I have cut cane in places where the dirt itself tasted like sugar, so that's saying a heap.

…he didn’t needs words or even want them because he knew how they could lie, could heat your blood and disappear.

She was the third beer. Not the first one, which the throat receives with almost tearful gratitude; nor the second, that confirms and extends the pleasure of the first. But the third, the one you drink because it's there, because it can't hurt, and because what difference does it make?

You wanna fly, you got to give up the shit that weighs you down.

They hooted and laughed all the way back to the car, teasing Milkman, egging him on to tell more about how scared he was. And he told them. Laughing too, hard, loud, and long. Really laughing, and he found himself exhilarated by simply walking the earth. Walking it like he belonged on it; like his legs were stalks, tree trunks, a part of his body that extended down down down into the rock and soil, and were comfortable there--on the earth and on the place where he walked. And he did not limp.

Her passions were narrow but deep.

Wanna fly you got to give up the shit that weighs you down.

But can't you even imagine what it must feel like to have a true home? I don't mean heaven. I mean a real earthly home. Not some fortress you bought and built up and have to keep everybody locked in or out. A real home. Not some place you went to and invaded and slaughtered people to get. Not some place you claimed, snatched because you got the guns. Not some place you stole from the people living there, but your own home, where if you go back past your great-great-grandparents, past theirs, and theirs, past the whole of Western history, past the beginning of organized knowledge, past pyramids and poison bows, on back to when rain was new, before plants forgot they could sing and birds thought they were fish, back when God said Good! Good!-- there, right there where you know your own people were born and lived and died. Imagine that, Pat. That place. Who was God talking to if not to my people living in my home?""You preaching, Reverend.""No, I'm talking to you, Pat. I'm talking to you.

I'm interested in the way in which the past affects the present and I think that if we understand a good deal more about history, we automatically understand a great more about contemporary life.

But to find out the truth about how dreams die, one should never take the word of the dreamer.

She knew Paul D was adding something to her life—something she wanted to count on but was scared to... His waiting eyes and awful human power. The mind of him that knew her own. Her story was bearable because it was his as well—to tell, to refine and tell again. The things neither knew about the other—the things neither had word-shapes for—well, it would come in time.

We women, me and you. Tell me something real. Don’t just say I’m grown and ought to know. I don’t. I’m fifty and I don’t know nothing. What about it? Do I stay with him? I want to, I think. I want… well, I didn’t always… now I want. I want some fat in this life.”“Wake up. Fat or lean, you got just one. This is it.”“You don’t know either, do you?”“I know enough to know how to behave.”“Is that it? Is that all it is?”“Is that all what is?”“Oh shoot! Where the grown people? Is it us?”“Oh, Mama.” Alice Manfred blurted it out and then covered her mouth. Violet had the same thought: Mama. Mama? Is this where you got to and couldn’t do it no more? The place of shade without trees where you know you are not and never again will be loved by anybody who can choose to do it? Where everything is over but the talking? - Violet Trace and Alice Manfred

People say to write about what you know. I'm here to tell you, no one wants to read that, cos you don't know anything. So write about something you don't know. And don't be scared, ever.

Sethe, he says, "me and you, we got more yesterday than anybody. We need some kind of tomorrow."He leans over and takes her hand. With the other he touches her face. "You your best thing, Sethe, You are." His holding fingers are holding hers. "Me? Me?

He can't value you more than you value yourself.

Let me tell you something. A man ain’t a goddamn ax. Chopping, hacking, busting every goddamn minute of the day. Things get to him. Things he can’t chop down because they’re inside.

Everywhere, everywhere, children are the scorned people of the earth.

Those white things have taken all I had or dreamed," she said, "and broke my heartstrings too. There is no bad luck in the world but whitefolks.

There is really nothing more to say-except why. But since why is difficult to handle, one must take refuge in how.

Anger ... it's a paralyzing emotion ... you can't get anything done. People sort of think it's an interesting, passionate, and igniting feeling — I don't think it's any of that — it's helpless ... it's absence of control — and I need all of my skills, all of the control, all of my powers ... and anger doesn't provide any of that — I have no use for it whatsoever."[Interview with CBS radio host Don Swaim, September 15, 1987.]

Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. In a way, he thought, they were right. The more coloredpeople spent their strength trying to convince them how gentle they were, how clever and loving, how human, the more they used themselves up to persuade whites of something Negroes believed could not be questioned, the deeper and more tangled the jungle grew inside. But it wasn’t the jungle blacks brought with them to this place from the other (livable) place. It was the jungle whitefolks planted in them. And it grew. It spread. In, through and after life, it spread, until it invaded the whites who had made it. Touched them every one. Changed and altered them. Made them bloody, silly, worse than even they wanted to be, so scared were they of the jungle they had made. The screaming baboon lived under their own white skin; the red gums were their own.

She is dead now, so I can say that she laughed like us, played like us and her adult life turned out okay- so I heard. But then when we were all twelve or less, it seemed as though she floated behind a scrim. Markedly pretty, she had eyes full of distance- a smile made more attractive by what it withheld; some knowingness it appeared unwilling to share. In the early forties "cool" was our word to describe her, although, at the time, I thought she was simply sad. Something treasured had been irretrievably lost, and there was nothing to be done about it. Her attitude reminded me of what I saw in the eyes of scary old people sitting in rocking chairs on the porch or leaning forward on a fence looking at us as though in a little while we would know the doom and catastrophe they already knew. "Uh huh", they murmured when we tripped over the door saddle or ruined our clothes. "where is your mind" they asked when we dropped the milk bottle, let the coal fire go out. Seriously asking a serious question, they showed no surprise. They knew we would always fall down, drop things, be ruined, and forget. And it was possible to lose your mind. She too seemed aware of our haplessness, but she did not wear their frown. A mournful sympathy infected her smile.

It is sheer good fortune to miss somebody long before they leave you.

I loved the geography part. Learning about that made me want to read.

Every Saturday morning, first thing before breakfast, his parents held conferences with their children requiring them to answer two questions put to each of them: 1. What have you learned that is true (and how do you know)? 2. What problem do you have?

I don't think anybody cares about unwed mothers unless they're black or poor. The question is not morality, the question is money. That's what we're upset about.

All water has a perfect memory and is forever trying to get back to where it was.

Good for you. More it hurt more better it is. Can't nothing heal without pain, you know.

Women did what strawberry plants did before they shot out their thin vines: the quality of the green changed. Then the vine threads came, then the buds. By the time the white petals died and the mint-colored berry poked out, the leaf shine was gilded tight and waxy.

Was it hard? I hope she didn't die hard.'Sethe shook her head. 'Soft as cream. Being alive was the hard part.

Naturally all of them had a sad story: too much notice, not enough, or the worst kind. Some tale about dragon daddies and false-hearted men, or mean mamas and friends who did them wrong. Each story has a monster in it who made them tough instead of brave, so they open their legs rather than their hearts where that folded child is tucked.

When I write, I don't translate for white readers.... Dostoevski wrote for a Russian audience, but we're able to read him. If I'm specific, and I don't overexplain, then anyone can overhear me.

I'm a Midwesterner, and everyone in Ohio is excited. I'm also a New Yorker, and a New Jerseyan, and an American, plus I'm an African-American, and a woman. I know it seems like I'm spreading like algae when I put it this way, but I'd like to think of the prize being distributed to these regions and nations and races.

I'm me," she whispered. "Me"Nel didn't know quite what she meant, but on the other hand she knew exactly what she meant."I'm me. I'm not their daughter. I'm not Nel. I'm me. Me."Every time she said the word me there was a gathering in her like power, like joy, like fear. Back in bed with her discovery, she stared out the window at the dark leaves of the horse chestnut."Me," she murmured. And then, sinking deeper into the quilts, "I want... I want to be... wonderful. Oh, Jesus, make me wonderful.

Rebuffed from his fine feelings, Milkman matched her cold tone. "You loved those white folks that much?""Love?" she asked. "Love?""Well, what are you taking care of their dogs for?""Do you know why she killed herself? She couldn't stand to see the place go to ruin. She couldn't live without servants and money and what it could buy. Every cent was gone and the taxes took whatever came in. She had to let the upstairs maids go, then the cook, then the dog trainer, then the yardman, then the chauffeur, then the car, then the woman who washed once a week. Then she started selling bits and pieces––land, jewels, furniture. The last few years we ate out of the garden. Finally she couldn't take it anymore. The thought of having no help, no money––well, she couldn't take that. She had to let everything go.""But she didn't let you go." Milkman had no trouble letting his words snarl."No, she didn't let me go. She killed herself.""And you still l

If she answered, he could not hear it, and he certainly couldn't see her, so he went. First he crawled the rocks one by one, one by one, till his hands touched shore and the nursing sound of the sea was behind him. He felt around, crawled off and then stood up. Breathing heavily with his mouth open he took a few tentative steps. The pebbles made him stumble and so did the roots of trees. He threw out his hands to guide and steady his going. By and by he walked steadier, now steadier. The mist lifted and the trees stepped back a bit as if to make the way easier for a certain kind of man. Then he ran. Lickety-split. Lickety-split. Looking neither to the left nor to the right. Lickety-split. Lickety-split. Lickety-lickety-lickety-split.

Violet learned then what she had forgotten until this moment: that laughter is serious. More complicated, more serious than tears.

guileless and without vanity,we were still in love with ourselves then. We felt comfortable in our own skins, enjoyed the news that our senses released to us, admired our dirt, cultivated our scars, and could not comprehend this unworthiness.

if they put an iron circle around your neck I will bite it away

Never did he once consider directing his hatred toward the hunters. Such an emotion would have destroyed him ... His subconscious knew what his min did not guess-that hating them would have consumed him, burned him up like a piece of soft coal, leaving only flakes of ash and a question mark of smoke.

It's a bad word, 'belong.' Especially when you put it with somebody you love ... You can't own a human being.

From the windows, through the fur of snow, the landscape became more melancholy when the sun successfully brightened the quiet trees, unable to speak without their leaves.

As you enter positions of trust and power, dream a little before you think.

I can't tell you why I was in love with her. People didn't require that much as they do now. Folks were expected to be civilized to one another, honest, and - and clear. You relied on people being what they said they were, because there was no other way to survive.

Birth, life, and death― each took place on the hidden side of a leaf.

She led him to the top of the stairs, where light came straight from the sky because the second-story windows of that house had been placed in the pitched ceiling and not the walls. There were two rooms and she took him into one of them, hoping he wouldn’t mind the fact that she was not prepared; that though she could remember desire, she had forgotten how it worked; the clutch and helplessness that resided in the hands; how blindness was altered so that what leapt to the eye were places to lie down, and all else—doorknobs, straps, hooks, the sadness that crouched in corners, and the passing of time—was interference.

I want to feel what I feel. What's mine. Even if it's not happiness, whatever that means. Because you're all you've got.

She learned the intricacy of loneliness: the horror of color, the roar of soundlessness and the menace of familiar objects lying still.

Make up a story... For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don't tell us what to believe, what to fear. Show us belief's wide skirt and the stitch that unravels fear's caul.

She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order.

We will be judged by how well we love.

She is a friend of mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order. It's good, you know, when you got a woman who is a friend of your mind.

In Ohio seasons are theatrical. Each one enters like a prima donna, convinced its performance is the reason the world has people in it.