Sylvia Plath Quotes - Page 3

August rain: the best of the summer gone, and the new fall not yet born. The odd uneven time.

I wondered why I couldn't go the whole way doing what I should any more. This made me sad and tired. Then I wondered why I couldn't go the whole way doing what I shouldn't, the way Doreen did, and this made me even sadder and more tired.

I thought the most beautiful thing in the world must be shadow, the million moving shapes and cul-de-sacs of shadow. There was shadow in bureau drawers and closets and suitcases, and shadow under houses and trees and stones, and shadow at the back of people's eyes and smiles, and shadow, miles and miles and miles of it, on the night side of the earth.

My mother said the cure for thinking too much about yourself was helping somebody who was worse off than you.

And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs Willard's kitchen mat

It is as if my life were magically run by two electric currents: joyous positive and despairing negative--which ever is running at the moment dominates my life, floods it.

It was comforting to know I had fallen and could fall no farther.

You will never win anyone through pity. You must create the right kind of dream, the sober, adult kind of magic: illusion born from disillusion.

The human mind is so limited it can only build an arbitrary heaven — and usually the physical comforts they endow it with are naively the kind that can be perceived as we humans perceive — nothing more. No: perhaps I will awake to find myself burning in hell. I think not. I think I will be snuffed out. Black is sleep; black is a fainting spell; and black is death, with no light, no waking.

I cut you out because I couldn't stand being a passing fancy.

I also had a dim idea that if I walked the streets of New York by myself all night something of the city's mystery and magnificence might rub off on me at last. But I gave it up.

I stepped from the air-conditioned compartment onto the station platform, and the motherly breath of the suburbs enfolded me. It smelt of lawn sprinklers and station wagons and tennis rackets and dogs and babies.

You must create the right kind of dream, the sober, adult kind of magic: illusion born from disillusion.

I saw the years of my life spaced along a road in the form of telephone poles threaded together by wires. I counted one, two, three... nineteen telephone poles, and then the wires dangled into space, and try as I would, I couldn't see a single pole beyond the nineteenth.

Between Sylvia and me there existed as between my own mother and me - a sort of psychic osmosis which, at times, was very wonderful and comforting; at other times an unwelcome invasion of privacy (words from Aurelia Plath from the Introduction)

Perhaps when we find ourselves wanting everything, it is because we are dangerously close to wanting nothing.

I may never be happy, but tonight I am content.

I'm not sure why it is, but I love food more than just about anything else.

I think writers are the most narcissistic people. Well, I musn't say this, I like many of them, a great many of my friends are writers.

Although, I admit, I desire,Occasionally, some backtalkFrom the mute sky, I can't honestly complain:A certain minor light may stillLean incandescentOut of kitchen table or chairAs if a celestial burning tookPossession of the most obtuse objects now and then --

Then it hit me and I just blurted, 'I like people too much or not at all. I've got to go down deep, to fall into people, to really know them.

There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of 'parties' with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter — they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship — but the loneliness of the soul in it's appalling self-consciousness, is horrible and overpowering.

All I want is blackness. Blackness and silence.

I didn't know why I was going to cry, but I knew that if anybody spoke to me or looked at me too closely the tears would fly out of my eyes and the sobs would fly out of the throat and I'd cry for a week.

But when it came right down to it, the skin of my wrist looked so white and defensless that I couldn't do it. It was as if what I wanted to kill wasn't in that skin or the thin blue pulse that jumped under my thumb, but somewhere else, deeper, more secret, and a whole lot harder to get.

What I hate is the thought of being under a man's thumb," I had told Doctor Nolan. "A man doesn't have a worry in the world, while I've got a baby hanging over my head like a big stick, to keep me in line.

Life was not to be sitting in hot amorphic leisure in my backyard idly writing or not-writing, as the spirit moved me. It was, instead, running madly, in a crowded schedule, in a squirrel cage of busy people. Working, living, dancing, dreaming, talking, kissing — singing, laughing, learning. The responsibility, the awful responsibility of managing (profitably) 12 hours a day for 10 weeks is rather overwhelming when there is nothing, noone, to insert an exact routine into the large unfenced acres of time — which it is so easy to let drift by in soporific idling and luxurious relaxing. It is like lifting a bell jar off a securely clockwork-like functioning community, and seeing all the little busy people stop, gasp, blow up and float in the inrush, (or rather outrush,) of the rarified scheduled atmosphere — poor little frightened people, flailing impotent arms in the aimless air. That's what it feels like: getting shed of a routine. Even though one had rebelled terribly against it, even then, one feels uncomfortable when jounced out of the repetitive rut. And so with me. What to do? Where to turn? What ties, what roots? as I hang suspended in the strange thin air of back-home?

For me poetry is an evasion of the real job of writing prose.

I moved in front of the medicine cabinet. If I looked in the mirror while I did it, it would be like watching somebody else, in a book or a play.

I have the choice of being constantly active and happy or introspectively passive and sad. Or I can go mad by ricocheting in between...I am still so naïve; I know pretty much what I like and dislike; but please, don’t ask me who I am. A passionate, fragmentary girl, maybe?

I have stitched life into me like a rare organ

I don't know how long I kept at it...I felt reasonably safe, streched out on the floor, and lay quite still.It didn't seem to be summer any more

I wanted to tell her that if only something were wrong with my body it would be fine, I would rather have anything wrong with my body than something wrong with my head, but the idea seemed so involved and wearisome that I didn’t say anything. I only burrowed down further in the bed.

I wish to cry. Yet, I laugh, and my lipstick leaves a red stain like a bloody crescent moon on the top of the beer can.

Unless you can be yourself, you won't stay with anyone for long.

I began to think vodka was my drink at last. It didn’t taste like anything, but it went straight down into my stomach like a sword swallowers’ sword and made me feel powerful and godlike.

Feel oddly barren. My sickness is when words draw in their horns and the physical world refuses to be ordered, recreated, arranged and selected. I am a victim of it then, not a master.

And of course I didn't know who would marry me now that I'd been where I had been. I didn't know at all.

When they asked me what I wanted to be I said I didn't know.

I wanted to crawl in between those black lines of print, the way you crawl through a fence, and go to sleep under that beautiful big green fig-tree.

Very few people do this any more. It's too risky. First of all, it's a hell of a responsibility to be yourself. It's much easier to be somebody else or nobody at all.

I began to see why woman-haters could make such fools of women. Woman-haters were like gods: invulnerable and chock full of power. They descended, and then they disappeared. You could never catch one.

Stupid girl. You will never win anyone through pity. You must create the right kind of dream, the sober, adult kind of magic: illusion born from disillusion.

The moon is my mother. She is not sweet like Mary.Her blue garments unloose small bats and owls.

I had been alone more than I could have been had I gone by myself.

Fixed stars govern a life

I love the people,' I said. 'I have room in me for love, and for ever so many little lives.

I didn’t want any flowers, I only wantedTo lie with my hands turned up and be utterly empty.How free it is, you have no idea how free——The peacefulness is so big it dazes you,And it asks nothing, a name tag, a few trinkets.It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet.

We should meet in another life, we should meet in air, me and you.

I don't see,' I said, 'how people stand being old. Your insides all dry up. When you're young you're so self-reliant. You don't even need much religion.

I felt very happy. To think that I didn't have to torture myself sitting in a smoke-filled room with a painted party smile, watching my date get drunk

Hurl yourself at goals above your head and bear the lacerations that come when you slip and make a fool of yourself. Try always, as long as you have breath in your body, to take the hard way–and work, work, work to build yourself into a rich, continually evolving entity.

LADY LAZARUSI have done it again.One year in every tenI manage it--A sort of walking miracle, my skinBright as a Nazi lampshade,My right footA paperweight,My face a featureless, fineJew linen.Peel off the napkinO my enemy.Do I terrify?--The nose, the eye pits, the full set of teeth?The sour breathWill vanish in a day.Soon, soon the fleshThe grave cave ate will beAt home on meAnd I a smiling woman.I am only thirty.And like the cat I have nine times to die.This is Number Three.What a trashTo annihilate each decade.What a million filaments.The peanut-crunching crowdShoves in to seeThem unwrap me hand and foot--The big strip tease.Gentlemen, ladiesThese are my handsMy knees.I may be skin and bone,Nevertheless, I am the same, identical woman.The first time it happened I was ten.It was an accident.The second time I meantTo last it out and not come back at all.I rocked shutAs a seashell.They had to call and callAnd pick the worms off me like sticky pearls.DyingIs an art, like everything else.I do it exceptionally well.I do it so it feels like hell.I do it so it feels real.I guess you could say I've a call.It's easy enough to do it in a cell.It's easy enough to do it and stay put.It's the theatricalComeback in broad dayTo the same place, the same face, the same bruteAmused shout:'A miracle!'That knocks me out.There is a chargeFor the eyeing of my scars, there is a chargeFor the hearing of my heart--It really goes.And there is a charge, a very large chargeFor a word or a touchOr a bit of bloodOr a piece of my hair or my clothes.So, so, Herr Doktor.So, Herr Enemy.I am your opus,I am your valuable,The pure gold babyThat melts to a shriek.I turn and burn.Do not think I underestimate your great concern.Ash, ash--You poke and stir.Flesh, bone, there is nothing there--A cake of soap, A wedding ring,A gold filling.Herr God, Herr LuciferBewareBeware.Out of the ashI rise with my red hairAnd I eat men like air.

She stared at her reflection in the glossed shop windows as if to make sure, moment by moment, that she continued to exist.

DADDYYou do not do, you do not doAny more, black shoeIn which I have lived like a footFor thirty years, poor and white,Barely daring to breathe or Achoo.Daddy, I have had to kill you.You died before I had time―Marble-heavy, a bag full of God,Ghastly statue with one grey toeBig as a Frisco sealAnd a head in the freakish AtlanticWhen it pours bean green over blueIn the waters of beautiful Nauset.I used to pray to recover you.Ach, du.In the German tongue, in the Polish townScraped flat by the rollerOf wars, wars, wars.But the name of the town is common.My Polack friendSays there are a dozen or two.So I never could tell where youPut your foot, your root,I never could talk to you.The tongue stuck in my jaw.It stuck in a barb wire snare.Ich, ich, ich, ich,I could hardly speak.I thought every German was you.And the language obsceneAn engine, an engineChuffing me off like a Jew.A Jew to Dachau, Auschwitz, Belsen.I began to talk like a Jew.I think I may well be a Jew.The snows of the Tyrol, the clear beer of ViennaAre not very pure or true.With my gypsy ancestress and my weird luckAnd my Taroc pack and my Taroc packI may be a bit of a Jew.I have always been scared of you,With your Luftwaffe, your gobbledygoo.And your neat mustacheAnd your Aryan eye, bright blue.Panzer-man, panzer-man, O You―Not God but a swastikaSo black no sky could squeak through.Every woman adores a Fascist,The boot in the face, the bruteBrute heart of a brute like you.You stand at the blackboard, daddy,In the picture I have of you,A cleft in your chin instead of your footBut no less a devil for that, no notAnd less the black man whoBit my pretty red heart in two.I was ten when they buried you.At twenty I tried to dieAnd get back, back, back to you.I thought even the bones would do.But they pulled me out of the sack,And they stuck me together with glue.And then I knew what to do.I made a model of you,A man in black with a Meinkampf lookAnd a love of the rack and the screw.And I said I do, I do.So daddy, I’m finally through.The black telephone’s off at the root,The voices just can’t worm through.If I’ve killed one man, I’ve killed two―The vampire who said he was youAnd drank my blood for a year,Seven years, if you want to know.Daddy, you can lie back now.There’s a stake in your fat black heartAnd the villagers never like you.They are dancing and stamping on you.They always knew it was you.Daddy, daddy, you bastard, I’m through.

I want to write because I have the urge to excel in one medium of translation and expression of life. I can't be satisfied with the colossal job of merely living. Oh, no, I must order life in sonnets and sestinas and provide a verbal reflector for my 60-watt lighted head.

Stars open among the lilies.Are you not blinded by such expressionless sirens?This is the silence of astounded souls.

The tongues of hell are dull.

It seemed silly to wash one day when I would only have to wash again the next.It made me tired just to think of it.

How we need another soul to cling to, another body to keep us warm. To rest and trust; to give your soul in confidence: I need this, I need someone to pour myself into.