Mary Oliver Quotes - Page 2

Poetry is a life-cherishing force.

It's very important to write things down instantly, or you can lose the way you were thinking out a line. I have a rule that if I wake up at 3 in the morning and think of something, I write it down. I can't wait until morning -- it'll be

Winter walks up and down the town swinging his censer, but no smoke or sweetness comes from it, only the sour, metallic frankness of salt and snow.

I want to think again of dangerous and noble things. I want to be light and frolicsome. I want to be improbable beautiful and afraid of nothing, as though I had wings.

Instructions for living a life. Pay attention. Be astonished. Tell about it.

You do not have to be good.You do not have to walk on your kneesfor a hundred miles through the desert, repenting.You only have to let the soft animal of your body love what it loves.Tell me about despair, yours, and I will tell you mine.Meanwhile the world goes on.Meanwhile the sun and the clear pebbles of the rainare moving across the landscapes,over the prairies and the deep trees,the mountains and the rivers.Meanwhile the wild geese, high in the clean blue air,are heading home again.Whoever you are, no matter how lonely,the world offers itself to your imagination,calls to you like the wild geese, harsh and exciting –over and over announcing your placein the family of things.

Because of the dog's joyfulness, our own is increased. It is no small gift. It is not the least reason why we should honor as well as love the dog of our own life, and the dog down the street, and all the dogs not yet born. What would the world be like without music or rivers or the green and tender grass? What would this world be like without dogs?

When it’s over, I want to say: all my lifeI was a bride married to amazement.I was a bridegroom, taking the world into my arms.When it’s over, I don’t want to wonderif I have made of my life something particular, and real.I don’t want to find myself sighing and frightenedor full of argument.I don’t want to end up simply having visited this world.

Language is rich, and malleable. It is a living, vibrant material, and every part of a poem works in conjunction with every other part - the content, the place, the diction, the rhythm, the tone-as well as the very sliding, floating, thumping, rapping sounds of it.

There are things you can’t reach. ButYou can reach out to them, and all day long.The wind, the bird flying away. The idea of god.And it can keep you busy as anything else, and happier.I look; morning to night I am never done with looking.Looking I mean not just standing around, but standing aroundAs though with your arms open.

the stars began to burnthrough the sheets of clouds,and there was a new voicewhich you slowlyrecognized as your own

I read the way a person might swim, to save his or her life. I wrote that way too.

The Fourth Sign of The Zodiac (Part 3) by Mary OliverI know, you never intended to be in this world.But you’re in it all the same.So why not get started immediately.I mean, belonging to it.There is so much to admire, to weep over.And to write music or poems about.Bless the feet that take you to and fro.Bless the eyes and the listening ears.Bless the tongue, the marvel of taste.Bless touching.You could live a hundred years, it’s happened.Or not.I am speaking from the fortunate platformof many years,none of which, I think, I ever wasted.Do you need a prod?Do you need a little darkness to get you going?Let me be as urgent as a knife, then,and remind you of Keats,so single of purpose and thinking, for a while,he had a lifetime.Mary oliver

I stood like Adam in his lonely gardenOn that first morning, shaken out of sleep,Rubbing his eyes, listening, parting the leaves,Like tissue on some vast, incredible gift.

Look, the treesare turningtheir own bodiesinto pillarsof light,are giving off the richfragrance of cinnamonand fulfillment,the long tapersof cattailsare bursting and floating away overthe blue shouldersof the ponds,and every pond,no matter what itsname is, isnameless now.Every yeareverythingI have ever learnedin my lifetimeleads back to this: the firesand the black river of losswhose other sideis salvation,whose meaningnone of us will ever know.To live in this worldyou must be ableto do three things:to love what is mortal;to hold itagainst your bones knowingyour own life depends on it;and, when the time comes to let it go,to let it go.

I know many lives worth living.

The Pond"August of another summer, and once again I am drinking the sunand the lilies again are spread across the water. I know now what they want is to touch each other. I have not been here for many yearsduring which time I kept living my life. Like the heron, who can only croak, who wishes he could sing, I wish I could sing. A little thanks from every throat would be appropriate. This is how it has been, and this is how it is: All my life I have been able to feel happiness, except whatever was not happiness, which I also remember. Each of us wears a shadow. But just now it is summer againand I am watching the lilies bow to each other, then slide on the wind and the tug of desire, close, close to one another, Soon now, I'll turn and start for home. And who knows, maybe I'll be singing.

Things take the time they take.Don't worry.How many roads did St. Augustine follow before he became St. Augustine?

DAISIESIt is possible, I suppose that sometimewe will learn everythingthere is to learn: what the world is, for example,and what it means. I think this as I am crossingfrom one field to another, in summer, and themockingbird is mocking me, as one who eitherknows enough already or knows enough to beperfectly content not knowing. Song being bornof quest he knows this: he must turn silentwere he suddenly assaulted with answers. Insteadoh hear his wild, caustic, tender warbling ceaselesslyunanswered. At my feet the white-petalled daisies displaythe small suns of their center piece, their -- if you don'tmind my saying so -- their hearts. Of courseI could be wrong, perhaps their hearts are pale andnarrow and hidden in the roots. What do I know?But this: it is heaven itself to take what is given,to see what is plain; what the sun lights up willingly;for example -- I think thisas I reach down, not to pick but merely to touch --the suitability of the field for the daisies, and thedaisies for the field.

When When it’s over, it’s over, and we don’t know any of us, what happens then.So I try not to miss anything.I think, in my whole life, I have never missed The full moonor the slipper of its coming back.Or, a kiss.Well, yes, especially a kiss.

I believe you did not have a happy life.I believe you were cheated.I believe your best friends were loneliness and misery.I believe your busiest enemies were anger and depression.I believe joy was a game you could never play without stumbling.I believe comfort, though you craved it, was forever a stranger.I believe music had to be melancholy or not at all.I believe no trinket, no precious metal, shone so bright as your bitterness.I believe you lay down at last in your coffin none the wiser and unassuaged.Oh, cold and dreamless under the wild, amoral, reckless, peaceful flowers of the hillsides.

Why I Wake Early Hello, sun in my face.Hello, you who made the morningand spread it over the fieldsand into the faces of the tulipsand the nodding morning glories,and into the windows of, even, themiserable and the crotchety – best preacher that ever was,dear star, that just happensto be where you are in the universeto keep us from ever-darkness,to ease us with warm touching,to hold us in the great hands of light –good morning, good morning, good morning.Watch, now, how I start the dayin happiness, in kindness.

You are young. So you know everything. You leap into the boat and begin rowing. But, listen to me. Without fanfare, without embarrassment, without doubt,I talk directly to your soul. Listen to me.

Attention is the beginning of devotion.

You must not ever stop being whimsical. And you must not, ever, give anyone else the responsibility for your life.

Imagination is better than a sharp instrument. To pay attention, this is our endless and proper work.

I could not be a poet without the natural world. Someone else could. But not me. For me the door to the woods is the door to the temple.

And then I feel the sun itselfas it blazes over the hills,like a million flowers on fire --clearly I'm not needed,yet I feel myself turninginto something of inexplicable value.-from The Buddha's Last Instruction

I mean, by such flightiness, something that feels unsatisfied at the center of my life — that makes me shaky, fickle, inquisitive, and hungry. I could call it a longing for home and not be far wrong. Or I could call it a longing for whatever supersedes, if it cannot pass through, understanding. Other words that come to mind: faith, grace, rest. In my outward appearance and life habits I hardly change — there’s never been a day that my friends haven’t been able to say, and at a distance, “There’s Oliver, still standing around in the weeds. There she is, still scribbling in her notebook.” But, at the center: I am shaking; I am flashing like tinsel. Restless. I read about ideas. Yet I let them remain ideas. I read about the poet who threw his books away, the better to come to a spiritual completion. Yet I keep my books. I flutter; I am attentive, maybe I even rise a little, balancing; then I fall back.

And now you'll be telling storiesof my coming backand they won't be false, and they won't be truebut they'll be real

Let me keep my distance, always, from those who think they have the answers.Let me keep company always with those who say "Look!" and laugh in astonishment, and bow their heads.

Still, what I want in my lifeis to be willingto be dazzled—to cast aside the weight of factsand maybe evento float a littleabove this difficult world.I want to believe I am lookinginto the white fire of a great mystery.I want to believe that the imperfections are nothing—that the light is everything—that it is more than the sumof each flawed blossom rising and falling. And I do.

To pay attention, this is our endless and proper work.

To interrupt the writer from the line of thought is to wake the dreamer from the dream. The dreamer cannot enter that dream, precisely as it was unfolding, ever again.

I want to write something so simply about love or about pain that even as you are reading you feel it and as you read you keep feeling it and though it be my story it will be common, though it be singular it will be known to you so that by the end you will think—no, you will realize—that it was all the while yourself arranging the words, that it was all the time words that you yourself, out of your heart had been saying.

Tell me, what is it you plan to do with your one wild and precious life?

Listen, whatever you see and love—that’s where you are.