James Joyce Quotes

He laughed to free his mind from his mind's bondage.

The object of the artist is the creation of the beautiful. What the beautiful is is another question.

Ugly and futile: lean neck and thick hair and a stain of ink, a snail’s bed. Yet someone had loved him, borne him in her arms and in her heart. But for her the race of the world would have trampled him underfoot, a squashed boneless snail. She had loved his weak watery blood drained from her own. Was that then real? The only true thing in life? His mother’s prostrate body the fiery Columbanus in holy zeal bestrode. She was no more: the trembling skeleton of a twig burnt in the fire, an odour of rosewood and wetted ashes. She had saved him from being trampled underfoot and had gone, scarcely having been. A poor soul gone to heaven: and on a heath beneath winking stars a fox, red reek of rapine in his fur, with merciless bright eyes scraped in the earth, listened, scraped up the earth, listened, scraped and scraped.

He is cured by faith who is sick of fate.

Drugs age you after mental excitement. Lethargy then. Why? Reaction. A lifetime in a night. Gradually changes your character.

Secrets, silent, stony sit in the dark palaces of both our hearts: secrets weary of their tyranny: tyrants willing to be dethroned.

Ireland is the old sow that eats her farrow.

Wombed in sin darkness I was too, made not begotten. By them, the man with my voice and my eyes and a ghost-woman with ashes on her breath. They clasped and sundered, did the coupler's will.

A dark horse riderless, bolts like a phantom past the winning post, his mane moonflowing, his eyeballs stars.

The soul ... has a slow and dark birth, more mysterious than the birth of the body. When the soul of a man is born in this country there are nets flung at it to hold it back from flight. You talk to me of nationality, language, religion. I shall try to fly by those nets.

and yet her name was like a summons to all my foolish blood.

He watched the scene and thought of life; and (as always happened when he thought of life) he became sad. A gentle melancholy took possession of him. He felt how useless it was to struggle against fortune, this being the burden of wisdom which the ages had bequeathed him.

The present is the now the here through which all future plunges to the past.

All things are inconstant except the faith in the soul, which changes all things and fills their inconstancy with light.

To say that a great genius is mad, while at the same time recognizing his artistic merit, is no better than to say he is rheumatic or diabetic.

His sensitive nature was still smarting under the lashes of an undivided and squalid way of life. His soul was still disquieted and cast down by the dull phenomenon of Dublin. He had emerged from a two years' spell of revery to find himself in the midst of a new scene, every event and figure of which affected him intimately, disheartened him or allured and, whether alluring or disheartening, filled him always with unrest and bitter thoughts. All the leisure which his school life left him was passed in the company of subversive writers whose jibes and violence of speech set up a ferment in his brain before they passed out of it into his crude writings.

And if he had judged her harshly? If her life were a simple rosary of hours, her life simple and strange as a bird's life, gay in the morning, restless all day, tired at sundown? Her heart simple and willful as a bird's heart?

Here's lumbos. Where misties swaddlum, where misches lodge none, where mystries pour kind on, O sleepy! So be yet!

Let my country die for me.

It grieved him plaguily, he said, to see the nuptial couch defrauded of its dearest pledges: and to reflect upon so many agreeable females with rich jointures, a prey for the vilest bonzes, who hide their flambeau under a bushel in an uncongenial cloister or lose their womanly bloom in the embraces of some unaccountable muskin when they might multiply the inlets of happiness, sacrificing the inestimable jewel of their sex when a hundred pretty fellows were at hand to caress, this, he assured them, made his heart weep.

He lived at a little distance from his body, regarding his own acts with doubtful side-glasses.

So beautiful of course compared with what a man looks like with his two bags full and his other thing hanging down out of him or sticking up at you like a hatrack no wonder they hide it with a cabbageleaf

Interpretations of interpretations interpreted.

A girl stood before him in midstream, alone and still, gazing out to sea. She seemed like one whom magic had changed into the likeness of a strange and beautiful seabird. Her long slender bare legs were delicate as a crane's and pure save where an emerald trail of seaweed had fashioned itself as a sign upon the flesh. Her thighs, fuller and soft-hued as ivory, were bared almost to the hips, where the white fringes of her drawers were like feathering of soft white down. Her slate-blue skirts were kilted boldly about her waist and dovetailed behind her. Her bosom was as a bird's, soft and slight, slight and soft as the breast of some dark-plumaged dove. But her long fair hair was girlish: and girlish, and touched with the wonder of mortal beauty, her face.

He looked down the slope and, at the base, in the shadow of the wall of the Park, he saw some human figures lying. Those venal and furtive loves filled him with despair. He gnawed the rectitude of his life; he felt that he had been outcast from life’s feast.

To speak of these things and to try to understand their nature and, having understood it, to try slowly and humbly and constantly to express, to press out again, from the gross earth or what it brings forth, from sound and shape and colour which are the prison gates of our soul, an image of the beauty we have come to understand—that is art.

My sweet naughty girl I got your hot letter tonight and have been trying to picture you frigging your cunt in the closet. How do you do it? Do you stand against the wall with your hand tickling up under your clothes or do you squat down on the hole with your skirts up and your hand hard at work in through the slit of your drawers? Does it give you the horn now to shit? I wonder how you can do it. Do you come in the act of shitting or do you frig yourself off first and then shit? It must be a fearfully lecherous thing to see a girl with her clothes up frigging furiously at her cunt, to see her pretty white drawers pulled open behind and her bum sticking out and a fat brown thing stuck half-way out of her hole. You say you will shit your drawers, dear, and let me fuck you then. I would like to hear you shit them, dear, first and then fuck you. Some night when we are somewhere in the dark and talking dirty and you feel your shite ready to fall put your arms round my neck in shame and shit it down softly. The sound will madden me and when I pull up your dress.

She was well primed with a good load of Delahunt's port under her bellyband.

Her lips touched his brain as they touched his lips, as though they were a vehicle of some vague speech and between them he felt an unknown and timid preasure, darker than the swoon of sin, softer than sound or odor.

Her antiquity in preceding and surviving succeeding tellurian generations: her nocturnal predominance: her satellitic dependence: her luminary reflection: her constancy under all her phases, rising and setting by her appointed times, waxing and waning: the forced invariability of her aspect: her indeterminate response to inaffirmative interrogation: her potency over effluent and refluent waters: her power to enamour, to mortify, to invest with beauty, to render insane, to incite to and aid delinquency: the tranquil inscrutability of her visage: the terribility of her isolated dominant resplendent propinquity: her omens of tempest and of calm: the stimulation of her light, her motion and her presence: the admonition of her craters, her arid seas, her silence: her splendour, when visible: her attraction, when invisible.

God spoke to you by so many voices but you would not hear.

The mystery of esthetic like that of material creation is accomplished. The artist, like the god of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.

History, Stephen said, is a nightmare from which I am trying to awake.

And if he had judged her harshly? If her life were a simple rosary of hours, her life simple and strange as a bird's life, gay in the morning, restless all day, tired at sundown? Her heart simple and wilful as a bird's heart?

Though their life was modest, they believed in eating well.

His heart danced upon her movements like a cork upon a tide. He heard what her eyes said to him from beneath their cowl and knew that in some dim past, whether in life or revery, he had heard their tale before.

For that (the rapt one warns) is what papyr is meed of, made of, hides and hints and misses in prints.

There is not past, no future; everything flows in an eternal present.

Mr Leopold Bloom ate with relish the inner organs of beasts and fowls. He liked thick giblet soup, nutty gizzards, a stuffed roast heart, liverslices fried with crustcrumbs, fried hencods' roes. Most of all he liked grilled mutton kidneys which gave to his palate a fine tang of faintly scented urine.

Writing in English is the most ingenious torture ever devised for sins committed in previous lives. The English reading public explains the reason why.

The peace of the gardens and the kindly lights in the windows poured a tender influence into his restless heart.

Early morning: set off at dawn. Travel round in front of the sun, steal a day's march on him. Keep it up for ever never grow a day older technically.

Every bond is a bond to sorrow.

Justice it means but it's everybody eating everyone else. That's what life is after all.

The artist like the God of the creation remains within or behind or beyond or above his handiwork invisible refined out of existence indifferent paring his fingernails.

To learn one must be humble. But life is the great teacher.

Can't bring back time. Like holding water in your hand.

Your battles inspired me - not the obvious material battles but those that were fought and won behind your forehead.

You find my words dark. Darkness is in our souls, do you not think?

Mistakes are the portals of discovery.

What dreams would he have, not seeing. Life a dream for him. Where is the justice being born that way?

Our flesh shrinks from what it dreads and responds to the stimulus of what it desires by a purely reflex action of the nervous system. Our eyelid closes before we are aware that the fly is about to enter our eye.

—Then, said Cranly, you do not intend to become a protestant?—I said that I had lost the faith, Stephen answered, but not that I had lost self-respect. What kind of liberation would that be to forsake an absurdity which is logical and coherent and to embrace one which is illogical and incoherent?

Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed.

Pity is the feeling which arrests the mind in the presence of whatesoever is grave and constant in human sufferings and unites it with the human sufferer.

Anna was, Livia is, Plurabelle's to be. Northmen's thing made southfolk's place but howmulty plurators made eachone in per-son? Latin me that, my trinity scholard, out of eure sanscreed intooure eryan! Hircus Civis Eblanensis! He had buckgoat paps on him, soft ones for orphans. Ho, Lord! Twins of his bosom. Lord save us! And ho! Hey? What all men. Hot? His tittering daugh-ters of. Whawk? Can't hear with the waters of. The chittering waters of. Flitter-ing bats, fieldmice bawk talk. Ho! Are you not gone ahome?What Thom Malone? Can't hear with bawk of bats, all thim liffey-ing waters of. Ho, talk save us! My foos won't moos. I feel as old as yonder elm. A tale told of Shaun or Shem? All Livia's daughter-sons. Dark hawks hear us. Night! Night! My ho head halls. I feel as heavy as yonder stone. Tell me of John or Shaun? Who wereShem and Shaun the living sons or daughters of? Night now!Tell me, tell me, tell me, elm! Night night! Telmetale of stem or stone. Beside the rivering waters of, hitherandthithering waters of. Night!

You made me confess the fears that I have. But I will tell you also what I do not fear. I do not fear to be alone or to be spurned for another or to leave whatever I have to leave. And I am not afraid to make a mistake, even a great mistake, a lifelong mistake and perhaps as long as eternity too.

I will tell you what I will do and what I will not do. I will not serve that in which I no longer believe, whether it calls itself my home, my fatherland, or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defense the only arms I allow myself to use -- silence, exile, and cunning.

Never back a woman you defend, never get quit of a friend on whom you depend, never make face to a foe till he’s rife and never get stuck to another man’s pfife.

Each imagining himself to be the first last and only alone, whereas he is neither first last nor last nor only not alone in a series originating in and repeated to infinity.