Haruki Murakami Quotes - Page 3

Necessity is an independent concept. It has a different structure from logic, morals, or meaning. Its function lies entirely in the role it plays. What doesn't play a role shouldn't exist. What necessity requires does need to exist. That's what you call dramaturgy.

It's true though: time moves in its own special way in the middle of the night," the bartender says, loudly striking a book match and lighting a cigarette. "You can't fight it.

When people tell a lie about something, they have to make up a bunch of lies to go with the first one. ‘Mythomania’ is the word for it.

Certain kinds of information are like smoke: they work their way into people's eyes and minds whether sought out or not, and with no regard to personal preference.

Don't forget - you're the one who swam across the freezing sea at night.

That’s how stories happen — with a turning point, an unexpected twist. There’s only one kind of happiness, but misfortune comes in all shapes and sizes. It’s like Tolstoy said. Happiness is an allegory, unhappiness a story.

Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That’s it. That’s my heart.

My peak? Would I even have one? I hardly had had anything you could call a life. A few ripples. some rises and falls. But that's it. Almost nothing. Nothing born of nothing. I'd loved and been loved, but I had nothing to show. It was a singularly plain, featureless landscape. I felt like I was in a video game. A surrogate Pacman, crunching blindly through a labyrinth of dotted lines. The only certainty was my death.

Once upon a time, you dragged a part of me into the world of the dead, and now Naoko has dragged another pat of me into that world.

Samsa certainly had no idea what lay ahead. He was in the dark about everything: the future, of course, but the present and the past as well . What was right, and what was wrong? Just learning how to dress was a riddle.

Making up for lost time?""Yes," I say. "A lot of things were stolen from my childhood. Lots of important things. And now I have to get them back." "In order to keep on living."I

The real world—where I probably could never be happy, and never get anywhere.

The laugh left a bitter taste in our mouths, but we laughed out all the same.

a question is embarrassing for a moment, but not asking is embarrassing for a lifetime

Listen up - there's no war that will end all wars.

The two of them on top of the freezing slide, wordlessly holding hands. Once again they were a ten-year-old boy and girl. A lonely boy, and a lonely girl. A classroom, just after school let out, at the beginning of winter. They had neither the power nor the knowledge to know what they should offer to each other, what they should be seeking. They had never, ever, been truly loved, or truly loved someone else. They had never held anyone, never been held. They had not idea, either, where this action would take them. What they entered then was a doorless room. They couldn't get out, nor could anyone else come in. The two of them didn't know it at the time, but this was the only truly complete place in the entire world. Totally isolated, yet the one place not tainted with loneliness.

I thought about Kizuki. "So you finally made Naoko yours," I heard myself telling him. Oh, well, she was yours to begin with. Now maybe, she's where she belongs. But in this world, in this imperfect world of the living, I did the best I could for Naoko.

As I mentioned briefly on the phone, the best thing about the Air Chrysalis is that it's not an imitation of anyone. It has absolutely none of the usual new writer's sense of 'I want to be another so-and-so'. the syle, for sure, is rough,and the writing is clumsy. She even gets the title wrong: she's confusing 'chrysalis' and 'cocoon'. You could pick it apart completely if you wanted to. But the story itself has real power: it draws you in. the overall plots is a fantasy, but the descriptive details is incredibly real.The balance between the two is excellent. I don't know if words like 'originality' or Inevitability' fit here, and I suppose I might agree if someone insisted it's not at that level, but finally, after you work your way through the thing, with all its faults, it leaves a real impression- it gets to you in some strange, inexplicable way that may be a little disturbing.

If something came out of the deal, it couldn’t make things any worse for us than they already were, I thought. But I couldn’t have been more wrong. Hell has no true bottom.

The strength I'm looking for isn't the type where you win or lose. I'm not after a wall that'll repel power coming from outside. What I want us the kind of strength to be able to absorb that kind of power, to stand up to it. The strength to quietly endure things - unfairness, misfortunes, sadness, mistakes, misunderstandings.

Dreaming is the day job of novelists, but sharing our dreams is a still more important task for us. We cannot be novelists without this sense of sharing something.

The new day is almost here, but the old one is still dragging its heavy skirts. Just as ocean water and river water struggle against each other at a river mouth, the old time and the new time clash and blend.

There was much about him that was fine and beautiful, but he could never find the confidence he needed.

Hey, you know that thing Dostoyevesky wrote on gambling? It's like that. When you're surrounded by endless possibilities, one of the hardest things you can do is pass them up.

O.K., so I'm not so smart. I'm working class. But it's the working class that keeps the world running, and it's the working class that gets exploited. What the hell kind of revolution have you got just tossing out big words that working-class people can't understand? What the hell kind of social revolution is that? I mean, I'd like to make the world a better place, too. If somebody's really being exploited, we've got to put a stop to it. That's what I believe, and that's why I ask questions.

I have a lot more patience for others than I have for myself, and I am much better at bringing out the best in others than in myself. That's just the kind of person I am. I'm the scratchy stuff on the side of the matchbox.

I want to write stories that are different from the ones I've written so far, Junpei thought: I want to write about people who dream and wait for the night to end, who long for the light so they can hold the ones they love.

People think of all kinds of things at three in the morning. We all do. That's why we each have to figure out our own way of fighting it off.

There's no such thing as perfect writing, just like there's no such thing as perfect despair.

There had to be something wrong with my life. I should have been born a Yugoslavian shepherd who looked up at the Big Dipper every night.

Snow floated down every once in a while, but it was frail snow, like a memory fading into the distance.

He was glad to be human. For sure, it was a great inconvenience to have to walk on two legs and wear clothes. There were so many things he didn’t know. Yet had he been a fish or a sunflower, and not a human being, he might never have experienced this emotion.

Silence. How long it lasted, I couldn't tell. It might have been five seconds, it might have been a minute. Time wasn't fixed. It wavered, stretched, shrank. Or was it me that wavered, stretched, and shrank in the silence? I was warped in the folds of time, like a reflection in a fun house mirror.

So that’s how we live our lives. No matter how deep and fatal theloss, no matter how important the thing that's stolen from us - that'ssnatched right out of our hands - even if we are left completelychanged, with only the outer layer of skin from before, we continue toplay out our lives this way, in silence. We draw ever nearer to theend of our allotted span of time, bidding it farewell as it trails offbehind. Repeating, often adroitly, the endless deeds of the everyday. Leaving behind a feeling of insurmountable emptiness...Maybe, in some distant place, everything is already, quietly, lost.Or at least there exists a silent place where everything candisappear, melting together in a single, overlapping figure. And aswe live our lives we discover - drawing toward us the thin threadsattached to each - what has been lost. I closed my eyes and tried tobring to mind as many beautiful lost things as I could. Drawing themcloser, holding on to them. Knowing all the while that their livesare fleeting.

Sex with a married woman ten years his senior was stress free and fulfilling, because it couldn't lead to anything

I was the chain that bit into my ankle, and I was the ruthless guard that never slept.

This is one more piece of advice I have for you: don't get impatient. Even if things are so tangled up you can't do anything, don't get desperate or blow a fuse and start yanking on one particular thread before it's ready to come undone. You have to realize it's going to be along process and that you'll work on things slowly, one at a time.

I feel as if the world is listening for my next thought. But I can't think of anything. Sorry, but I just can't think of anything.

If you're young and talented, it's like you have wings.

Still, though, I can’t be sure if the zoo as I recall it was really like that. How can I put it? I sometimes feel that it’s too vivid, if you know what I mean. And when I start having thoughts like this, the more I think about it, the less I can tell how much of the vividness is real and how much of it my imagination has invented.

Wherever there's hope there's a trial.

His mind floated in the amniotic fluid of memory, listening for echoes of the past. His father, meanwhile, had no idea that such a vivid scene was burned into Tengo's brain or that, like a cow in the meadow, Tengo was endlessly regurgitating fragments of the scene to chew on, a cud from which he obtained essential nutrients. Father and son: each was locked in a deep, dark embrace with his secrets.

Samsa looked down in dismay at his naked body. How ill-formed it was! Worse than ill-formed. It possessed no means of self-defense. Smooth white skin (covered by only a perfunctory amount of hair) with fragile blue blood vessels visible through it; a soft, unprotected belly; ludicrous, impossibly shaped genitals; gangly arms and legs (just two of each!); a scrawny, breakable neck; an enormous, misshapen head with a tangle of stiff hair on its crown; two absurd ears, jutting out like a pair of seashells. Was this thing really him? Could a body so preposterous, so easy to destroy (no shell for protection, no weapons for attack), survive in the world?

I'm all alone, but I'm not lonely.

To what extent facts we recognize as such really are as they seem, and to what extent these are facts merely because we label them as such, is an impossible distinction to draw. Therefore, in order to pin down reality as reality, we need another reality to relativize the first. Yet that other reality requires a third reality to serve as its grounding. An endless chain is created within our consciousness, and it is the maintenance of this chain which produces the sensation that we are actually here, that we ourselves exist. But something can happen to sever that chain and we are at a loss. What is real? Is reality on this side of the break in the chain? Or over there, on the other side?

It is very simple, actually. It is because you and Tengo were so powerfully drawn to each other.

The better you were able to imagine what you wanted to imagine, the farther you could flee from reality.

The thoughts that occur to me while I’m running are like clouds in the sky. Clouds of all different sizes. They come and they go, while the sky remains the same sky always. The clouds are mere guests in the sky that pass away and vanish, leaving behind the sky.

I study the chessboard and concede defeat."You can gain yourself in five moves" says the Colonel. "Worth fighting to the end. In five moves your opponent can err. No war is won or lost until the final battle is over.

Hatred is like a long, dark shadow. Not even the person it falls upon knows where it comes from, in most cases. It is like a two-edged sword. When you cut the other person, you cut yourself. The more violently you hack at the other person, the more violently you hack at yourself. It can often be fatal. But it is not easy to dispose of. Please be careful, Mr.Okada. It is very dangerous. Once it has taken root in your heart, hatred is the most difficult think in the world to shake off.

The world is a huge space, but the space that will take you in - and itdoesn't have to be very big - is nowhere to be found. You seek a voice, but what doyou get? Silence. You look for silence, but guess what? All you hear over and overand over is the voice of this omen. And sometimes this prophetic voice pushes asecret switch hidden deep inside your brain.

A dense, artistic kind of imperfection stimulates your consciousness, keeps you alert. If I listen to some utterly perfect performance of an utterly perfect piece while I'm driving, I might want to close my eyes and die right then and there. But listening to the D major, I can feel the limits of what humans are capable of-- that a certain type of perfection can only be realised through a limitless accumulation of imperfect.

Being tough isn’t in and of itself a bad thing. Looking back on it, though, I can see I was too used to being strong, and never tried to understand those who were weak. I was too used to being fortunate, and didn’t try to understand those less fortunate. Too used to being healthy, and didn’t try to understand the pain of those who weren’t. Whenever I saw a person in trouble, somebody paralyzed by events, I decided it was entirely his fault––he just wasn’t trying hard enough. People who complained were just plain lazy. My outlook on life was unshakable, and practical, but lacked any human warmth. And not a single person around me pointed this out.’” - Miu

The rain that fell on the city runs down the dark gutters and empties into the sea without even soaking the ground

Not being able to find the right words at crucial times is one of my many problems.

Looking up at [the sky], I think about the October evening world, where 'people' must be going about their lives. Beneath that pale autumn light, they must be walking down streets, going to the store for things, preparing dinner, boarding trains for home. And they think--if they think at all--that these things are too obvious to think about, just as I used to do (or not do).

Like Naokuo, I'm not really sure what it means to love another person. Though she meant it a little differently. I do want to try my best though. I have to, or else I won't know where to go. Like you said before, Naoko and I have to save each other. It's the only was for us to be saved!

...and we go on living and breathing it into our lungs like fine dust.Until that time, I had understood death as something entirely separate from and independent of life. The hand of death is bound to take us, I had felt, but until the day it reaches out for us, it leaves us alone. This had seemed to me the simple, logical truth. Life is here, death is over there. I am here, not over there.

Fate seems to be taking me in some even stranger directions.

A person learns how to love himself through the simple acts of loving and being loved by someone else.