Haruki Murakami Quotes - Page 13

Since I'm a novelist I'm the opposite of you - I believe that what's most important is what cannot be measured. I'm not denying your way of thinking, but the greater part of people's lives consist of things that are unmeasurable, and trying to change all these to something measurable is realistically impossible.

There is one thing I can say for certain: the older a person gets, the lonelier he becomes. It's true for everyone. But maybe that isn't wrong. What I mean is, in a sense our lives are nothing more than a series of stages to help us get used to loneliness. That being the case, there's no reason to complain. And besides who would be complaint to anyway? (A Walk To Kobe, Granta 124: Travel)

I think most readers would say the same. Most would choose Midori. And the protagonist, of course, chooses her in the end. But some part of him is always in the other world and he cannot abandon it. It’s a part of him, an essential part. All human beings have a sickness in their minds. That space is a part of them.

Suicides? Heart attacks? The papers didn't seem interested. The world was full of ways to die, too many to cover. Newsworthy deaths had to be exceptional. Most people go unobserved.

And while he sat there on the end of the jetty, he’d let the sound of the waves fill his ears, watch the clouds and schools of tiny sweetfish, take pebbles he’d pocketed on the way and throw them out into the deep. Then when dusk began to settle he would retrace his steps, back to his own world. And on the way home, a loneliness would always claim his heart. He could never quite get a grip on what it was. It just seemed that whatever lay waiting “out there” was all too vast, too overwhelming for him to possibly ever make a dent in.

This may be the most important proposition revealed by history: 'At the time, no one knew what was coming.

I was feeling lonely without her, but the fact that I could feel lonely at all was consolation. Loneliness wasn't such a bad feeling. It was like the stillness of the pin oak after the little birds had flown off.

I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it -- to be fed so much love I couldn't take any more. Just once.

Time expands, then contracts, all in tune with the stirrings of the heart.

I guess I felt attached to my weakness. My pain and suffering too. Summer light, the smell of a breeze, the sound of cicadas - if I like these things, why should I apologize?

Are there any capitalist cats?" Nakata asked

The sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues. Sophocles’ Oedipus Rex being a great example. Oedipus is drawn into tragedy not because of laziness or stupidity, but because of his courage and honesty. So an inevitable irony results....[But] we accept irony through a device called metaphor. And through that we grow and become deeper human beings.

The Boss is an honorable man. After the Lord, the most godly person I've ever met.""You've met God?""Certainly. I telephone Him every night.

According to Aristophanes in Plato's The Banquet, in the ancient world of legend there were three types of people.In ancient times people weren't simply male or female, but one of three types : male/male, male/female or female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangment and never really gave it much thought. But then God took a knife and cut everyone in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing half.

He sometimes wondered if she had become involved with him just so that she could cry in someone's arms. Maybe she can't cry alone, and that's why she needs me.

The early autumn sun glinted on the water, an enormous mirror ground to powder and scattered.

Once the ego is born into this world, it has to shoulder morality.

As you are all aware, in the course of life we experience many kinds of pain. Pains of the body and pains of the heart. I know I have experienced pain in many different forms, and I'm sure you have too. In most cases, though, I'm sure you've found it very difficult to convey the truth of that pain to another person: to explain it in words. People say that only they themselves can understand the pain they are feeling. But is it true? I for one do not believe that it is. If, before our eyes, we see someone who is truly suffering, we do sometimes feel his suffering and pain as our own. This is the power of empathy. Am I making myself clear?''He broke off and looked around the room once again.''The reason that people sing songs for other people is because they want to have the power to arouse empathy, to break free of the narrow shell of the self and share their pain and joy with others. This is not an easy thing to do, of course. And so tonight, as kind of experiment, I want you to experience a simpler, more physical kind of empathy. Lights please.''Everyone in the place was hushed now, all eyes fixed on stage. Amid the silence, the man stared off into space, as if to insert a pause or to reach a state of mental concentration. Then, without a word, he held his hand over the lighted candle. Little by little, he brought the palm closer and closer to the flame. Someone in the audience made a sound like a sigh or a moan. You could see the tip of the flame burning the man's palm. You could almost hear the sizzle of the flesh. A woman let out a hard little scream. Everyone else just watched in frozen horror. The man endured the pain, his face distorted in agony. What the hell was this? Why did he have to do such a stupid, senseless thing? I felt my mouth going dry. After five or six seconds of this, he slowly removed his hand from the flame and set the dish with the candle in it on the floor. Then he clasped his hands together, the right and left palms pressed against each other.''As you have seen tonight, ladies and gentleman, pain can actually burn a person's flesh,'' said the man. His voice sounded exactly as it had earlier: quiet, steady, cool. No trace of suffering remained on his face. Indeed, it had been replaced by a faint smile. ''And the pain that must have been there, you have been able to feel as if it were your own. That is the power of empathy.

Mountains, according to the angle of view, the season, the time of day, the beholder's frame of mind, or any one thing, can effectively change their appearance. Thus, it is essential to recognize that we can never know more than one side, one small aspect of a mountain.

Sorel's basic character flaws had all cemented by the age of fifteen, a fact which further elicited my sympathy. To have all the building blocks of your life in place by that age was, by any standard, a tragedy. It was as good as sealing yourself into a dungeon. Walled in, with nowhere to go but your own doom. Walls. A world completely surrounded by walls.

Sometimes fate is like a small sandstorm that keeps changing direction.

I’m not totally mad at you. I’m just sad. You’re all locked up in that little world of yours, and when I try knocking on the door, you just sort of look up for a second and go right back inside.

They had stolen my memories from me! Nobody had that right. Nobody! My memories belonged to me. Stealing memories was stealing time. I got so mad, I lost all fear. I didn't care what happened. I want to live! I told myself. I will live. I will get out of this insane netherworld and get back my stolen memories back and live. Forget the end of the world, I was ready to reclaim my whole self.

Nestled next to me, she nodded. “I’m fine. As long as I take the medicine. So don’t worry.” She leaned her head back against my shoulder. “But don’t ask me anything, okay? Why that happened.”“Understood. No questions,” I said.“Thank you very much for today,” she said.“What part of today?”“For taking me to the river. For giving me water from your mouth. For putting up with me.”I looked at her. Her lips were right in front of me. The lips I had kissed as I gave her water. And once more those lips seemed to be seeking me. Slightly parted, with her beautiful white teeth barely visible. I could still feel her soft tongue, which I’d touched slightly as I gave her water. I found it hard to breathe, and I couldn’t think. My body burned. She wants me, I thought. And I want her.

All kinds of things are happening to me." I begin. ,,Some I choose, some I didn't. I don't know how to tell one from the other any more. What I mean is, it feels like everything's been decided in advance - that I'm following a path somebody else has already mapped out for me. It doesn't matter how much I think things over, how much effort I put into it. In fact, the harder I try, the more I lose my sense od who I am. It's as if my identity's an orbit that I've strayed far away from, and that really hurts. But more than that, it scares me. Just thinking about it makes me flinch.Oshima gazes deep into m eyes. "Listen, Kafka. What you are experiencing now is the motif od many Greek tragedies. Man does not chose fate. Fate chooses man. That is the basic world view of Greek drama. And the sense od tragedy - according to Aristotle - somes, ironically enough, not drom the protagonist's weak points but from his good qualities. Do you know what I am getting at? People are drawn deeper into tragedy not by their defects but by their virtues. Sophocles' Oedipus Rex being a Great example. Oedipus is drawn into tragedy not because of lazines or stupidity, but because of his courage and honesty. So an inevitable irony results.

The passage of time will usually extract the venom of most things and render them harmless

It was a small room with dim light coming in the window, reminiscent of old Polish films.

A person's last moments are an important thing. You can't choose how you're born, but you can choose how to die.

Sitting on the floor, I'd replay the past in my head. Funny, that's all I did, day after day after day for half a year, and I never tired of it. What I'd been through seemed so vast, with so many facets. Vast, but real, very real, which was why the experience persisted in towering before me, like a monument lit up at night. And the thing was, it was a monument to me.

One by one, I'll face the tasks before me and complete them as best I can. Focusing on each stride forward, but at the same time taking a long-range view, scanning the scenery as far ahead as I can. I am, after all, a long distance runner.My time, the rank I attain, my outward appearance - all of these are secondary. For a runner like me, what's really important is reaching the goal I set myself, under my own power. I give it everything I have, endure what needs enduring, and am able, in my own way, to be satisfied. From out of the failures and joys I always try to come away having grasped a concrete lesson. (It's got to be concrete, no matter how small it is.) And I hope that, over time, as one race follows another, in the end I'll reach a place I'm content with. Or maybe just catch a glimpse of it.

The people who build high, strong fences are the ones who survive the best. You deny that reality only at the risk of being driven into the wilderness yourself.

Spending plenty of time on something can be the most sophisticated form of revenge.

But hell, you've gotta work with what you've got.

Talent can be a nice thing to have sometimes. You look good, attract attention, and if you’re lucky, you make some money. Women flock to you. In that sense, having talent’s preferable to having none. But talent only functions when it’s supported by a tough, unyielding physical and mental focus. All it takes is one screw in your brain to come loose and fall off, or some connection in your body to break down, and your concentration vanishes, like the dew at dawn.[…]If talent’s the foundation you rely on, and yet it’s so unreliable that you have no idea what’s going to happen to it the next minute, what meaning does it have?

It's just that you're about to do something out of the ordinary. And after you do something like that, the everyday look of things might seem to change a little. Things may look different to you than they did before. But don't let appearances fool you. There's always only one reality.

Every person has their own colour.

Life is here, death is over there. I am here, not over there.

Haida stopped and glanced at the clock on the wall. Then he looked at Tsukuru. He was, of course, Haida the son, but Haida the father has been the same age in his story, and so the two of them began to overlap in Tsukuru's mind. It was an odd sensation, as if the two distinct temporalities had blended into one. Maybe it wasn't the father who had experienced this, but the son. Maybe Haida was just relating it as if his father had experienced it, when in reality he was the one who had. Tsukuru couldn't shake this illusion.

People leave traces of themselves where they feel most comfortable, most worthwhile.

Count your blessings

Ships passing in broad daylight.

I know, too, why she asked me not to forget her. Naoko herself knew, of course. She knew that my memories of her would fade. Which is precisely why she begged me never to forget her, to remember that she had existed. The thought fills me with an almost unbearable sorrow. Because Naoko never loved me.

Sometimes I get real lonely sleeping with you.

That's the way it is with the mind. Nothing is ever equal. Like a river, as it flows, the course changes with the terrain.

Because you are neither an angel nor a god. I am quite aware that your actions have been prompted by your pure feelings, and I understand perfectly well that, for that very reason, you do not wish to receive money for what you have done. But pure unadultered feelings are dangerous in their own way. It is no easy feat for a flesh-and-blood human being to go on living with such feelings. That is why it is necessary for you to fasten your feelings to the earth – firmly, like attaching an anchor to a balloon. The money is for that. To prevent you from feeling that you can do anything you want as long as it’s the right thing and your feelings are pure.

Of course it was painful, and there were times when, emotionally, I just wanted to chuck it all. But pain seems to be a precondition for this kind of sport. If pain weren't involved, who in the world would ever go to the trouble of taking part in sports like the triathlon or the marathon, which demand such an investment of time and energy? It's precisely because of the pain, precisely because we want to overcome that pain, that we can get the feeling, through this process, of really being alive--or at least a partial sense of it. Your quality of experience is based not on standards such as time or ranking, but on finally awakening to an awareness of the fluidity within action itself.” ― Haruki Murakami, What I Talk About When I Talk About Running

In those days I used to talk to myself as if reciting poetry.

I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centered, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.

If I sound as if I'm always predicting ominous things, it's because I'm a pragmatist. I use deductive reasoning to generalize, and I suppose this sometimes ends up sounding like unlucky prophecies. You know why? Because reality's just the accumulation of ominous prophecies come to life. You have to only open a newspaper on any given day and weigh the good news versus the bad, and you'll see what I mean.

I need to learn not just to forget but to forgive.

Once she called to invite me to a concert of Liszt piano concertos. The soloist was a famous South American pianist. I cleared my schedule and went with her to the concert hall at Ueno Park. The performance was brilliant. The soloist's technique was outstanding, the music both delicate and deep, and the pianist's heated emotions were there for all to feel. Still, even with my eyes closed, the music didn't sweep me away. A thin curtain stood between myself and pianist, and no matter how much I might try, I couldn't get to the other side. When I told Shimamoto this after the concert, she agreed."But what was wrong with the performance?" she asked. "I thought it was wonderful.""Don't you remember?" I said. "The record we used to listen to, at the end of the second movement there was this tiny scratch you could hear. Putchi! Putchi! Somehow, without that scratch, I can't get into the music!"Shimamoto laughed. "I wouldn't exactly call that art appreciation.""This has nothing to do with art. Let a bald vulture eat that up, for all I care. I don't care what anybody says; I like that scratch!""Maybe you're right," she admitted. "But what's this about a bald vulture? Regular vultures I know about--they eat corpses. But bald vultures?"In the train on the way home, I explained the difference in great detail.The difference in where they are born, their call, their mating periods. "The bald vulture lives by devouring art. The regular vulture lives by devouring the corpses of unknown people. They're completely different.""You're a strange one!" She laughed. And there in the train seat, ever so slightly, she moved her shoulder to touch mine. The one and only time in the past two months our bodies touched.

No two human beings are alike; it's a question of identity. And what is identity? The cognitive system arisin' from the aggregate memories of that individual's past experiences. The layman's word for this is the mind. Not two human beings have the same mind. At the same time, human beings have almost no grasp of their own cognitive systems. I don't, you don't, nobody does. All we know—or think we know—is but a fraction of the whole cake. A mere tip of the icing.

We're on the same wavelength. We're connected that way, even if I'm away from her.

It's just that the chaos has changed shape. The giraffe and the bear have traded hats, and the bear's switched scarves with the zebra.

The darkness behind my closed eyelids was like the cloud-covered sky, but the gray was somewhat deeper. Every few minutes, someone would come and paint over the gray with a different-textured gray - one with a touch of gold or green or red. I was impressed with the variety of grays that existed. Human beings were so strange. All you had to do was sit still for ten minutes, and you could see this amazing variety of grays.

But like a boat with a twisted rudder, I kept coming back to the same place. I wasn't going anywhere. I was myself, waiting on the shore for me to return. Was that so depressing?Who knows? Maybe that was 'despair.' What Turgenev called 'disillusionment.' Or Dostoyevsky, 'hell.' Or Somerset Maugham, 'reality.' Whatever the label, I figured it was me.

Sometimes when I look at you, I feel I'm gazing at a distant star. It's dazzling, but the light is from tens of thousands of years ago.Maybe the star doesn't even exist any more. Yet sometimes that light seems more real to me than anything.

As if a great creature had grown old without being able to express its feelings. Not that it didn't know how to express them, but rather it didn't know what to express.