Haruki Murakami Quotes

If you only read the books that everyone else is reading, you can only think what everyone else is thinking.

From the moment of my birth, I lived with pain at the center of my life. My only purpose in life was to find a way to coexist with intense pain.

Anyhow, even though I might go out on a date with a boy, emotionally I just wouldn't be able to concentrate. I'd be smiling and chatting away, and my mind would be floating around somewhere else, like a balloon with a broken string. I'd be thinking about one unrelated thing after another. I don't know, I guess finally I want to be alone a little while longer. And I want to let my thoughts wander freely. In that sense, I guess, I'm probably still "on the road to recovery.

I must be in love with this woman, Sumire realized with a start. Nomistake about it. Ice is cold; roses are red; I'm in love. And thislove is about to carry me off somewhere. This current's toooverpowering; I don't have any choice. It may very well be a specialplace, some place I've never seen before. Danger may be lurkingthere, something that may end up wounding me deeply, fatally. I mightend up losing everything. But there's no turning back. I can only gowith the flow. Even if it means I'll be burned up, gone forever.

The silence is so deep it hurts our ears

Closing your eyes isn't going to change anything. Nothing's going to disappear just because you can't see what's going on. In fact, things will even be worse the next time you open your eyes.

I just got my signals crossed. First thing, I have to untangle the connections. Otherwise, I come away empty-handed. Or with someone else's hands. Or even with a missing hand.

Here I was, seeing you almost every week, and talking with you, and knowing that the only one in your heart was Kizuki. It hurt. It really hurt. And I think that's why I slept with girls I didn't know.

There are symbolic dreams-dreams that symbolize some reality. Then there are symbolic realities-realities that symbolize a dream

A person's last moments are an important thing. Yuou can't choose how you're born, but you can choose how you die.

Have books ‘happened’ to you? Unless your answer to that question is ‘yes,’ I’m unsure how to talk to you

The fact remains that a certain combination of fragrances can captivate the opposite sex like the scent of an animal in heat. One kind of fragrance might attract fifty out of a hundred people. And another scent will attract the other fifty. But there also are scents that only one or two people will find wildly exciting. And I have the ability, from far away, to sniff out those special scents. When I do, I want to go up to the girl who radiates this aura and say, Hey, I picked it up, you know. No one else gets it, but I do.

It was––how shall I put it?––a painfully solitary building. Let me explain. Say we have a concept. It goes without saying that there will be slight exceptions to that norm. Now, over time these exceptions spread like stains until finally they form a separate concept. To which other exceptions crop up. It was that kind of building, some ancient life form that had evolved blindly, toward who knows what end.

It was as if my whole life revolved around trying to judge the appropriate point in a conversation to say goodbye

Death is not the opposite of life, but a part of it.

And once the storm is over, you won’t remember how you made it through, how you managed to survive. You won’t even be sure, whether the storm is really over. But one thing is certain. When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about.

It just happens to be the way that I'm made. I have to write things down to feel I fully comprehend them.

...All without any more sound than flipping over a playing card. And sitting in this limo, compared to my fifteen-year-old Volkswagen Beetle I'd bought off a friend, was as quiet as sitting at the bottom of a lake wearing earplugs.

Beautiful day out there,” I said, perching on the stool and crossing my legs. “It’s autumn, Sunday, great weather, and crowded everywhere you go. Relaxing indoors like this is the best thing you can do on such a nice day. It’s exhausting to get into those crowds. And the air is bad. I mostly do laundry on Sundays—wash the stuff in the morning, hang it out on the roof of my dorm, take it in before the sun goes down, do a good job of ironing it. I don’t mind ironing at all. There’s a special satisfaction in making wrinkled things smooth. And I’m pretty good at it, too. Of course, I was lousy at it at first. I put creases in everything. After a month of practice, though, I knew what I was doing. So Sunday is my day for laundry and ironing. I couldn’t do it today, of course. Too bad: wasted a perfect laundry day.

I'm going to live to be twenty-five,' she said, 'then die.

No truth can cure the sorrow we feel from losing a loved one. No truth, no sincerity, no strength, no kindness can cure that sorrow.

He was a far more voracious reader than me, but he made it a rule never to touch a book by any author who had not been dead at least 30 years. "That's the only kind of book I can trust," he said."It's not that I don't believe in contemporary literature," he added, "but I don't want to waste valuable time reading any book that has not had the baptism of time. Life is too short.

People want to be bowled over by something special. Nine times out of ten you might strike out, but that tenth time, that peak experience, is what people want. That's what can move the world. That's art.

I'm your phantom dance partner. I'm your shadow. I'm not anything more.

you mean machines are like humans?"I shook my head. "No, not like humans. With machines the feeling is, well, more finite. It doesn't go any further. With humans it's different. The feeling is always changing. Like if you love somebody, the love is always shifting or wavering. It's always questioning or inflating or disappearing or denying or hurting. And the thing is, you can't do anything about it, you can't control it. With my Subaru, it's not so complicated.

A short story I have written long ago would barge into my house in the middle of the night, shake me awake and shout, 'Hey,this is no time for sleeping! You can't forget me, there's still more to write!' Impelled by that voice, I would find myself writing a novel. In this sense, too, my short stories and novels connect inside me in a very natural, organic way.

It's a funny thing sensing someone else's sex drive. After a while, you get to mistaking it for your own.

I'm the scratchy stuff on the side of the matchbox. But that's fine with me. I don't mind at all. Better to be a first-class matchbox than a second-class match.

Surfing's a more profound kind of sport than it looks. When you surf, you learn not to fight the power of nature, even if it gets violent.

Ok I'm not so smart I'm working class. But it's the working class that keeps the world running and it's the working class that get exploited. What kind revolution is it that just throws out big words that working class people can't understand.Revolution or not the working class will just keep on scraping a living in the same old shitholesI'm not going to believe in any damned revolution. Love is all I'm going to believe in. -- Midori

Money had no name, of course. And if it did have a name, it would no longer be money. What gave money its true meaning was its dark-night namelessness, its breathtaking interchangeability.

Tendencies. Yougottendencies. Soevenifyoudideverythingoveragain, yourwholelife, yougottendenciestodojustwhatyoudid, alloveragain. -The Sheep Man.

With each passing moment I'm becoming part of the past. There is no future for me, just the past steadily accumulating.

Kumiko and I would visit their home and have dinner with them twice a month with mechanical regularity. This was a truly loathsome experience, situated at the precise midpoint between a meaningless mortification of the flesh and brutal torture. Throughout the meal, I had the sense that their dining room table was as long as a railway station. They would be eating and talking about something way down at the other end, and I was too far away for them to see. This went on for a year, until Kumiko's father and I had a violent argument, after which we never saw each other again. The relief this gave me bordered on ecstasy. Nothing so consumes a person as meaningless exertion.

All alone in an unfamiliar place, like some solitary explorer who's lost his compass and his map. Is this what it means to be free?

The whole terrible fight occured in the area of imagination. That is the precise location of our battlefield. It is there, that we experience our victories and defeats.

I wasn't in love with her. And she didn't love me. For me the question of love was irrelevant. What I sought was the sense of being tossed about by some raging, savage force, in the midst of which lay something absolutely crucial. I had no idea what that was. But I wanted to thrust my hand right inside her body and touch it, whatever it was.

Being alive, if you had to define it, meant emitting a variety of smells

Every once in a while she'll get worked up and cry like that. But that's ok. She's letting her feelings out. The scary thing is not being able to do that. Then your feelings build up and harden and die inside. That's when you're in big trouble.

Listen to this, Nimit. Follow Coleman Hawkins' improvised lines very carefully. He is using them to tell us something. Pay very close attention. He is telling us the story of the free spirit that is doing everything it can to escape from within him. That same kind of spirit is inside me, inside you. There--you can hear it, I'm sure: the hot breath, the shivering heart. (Thailand)

I suddenly thought about my old girlfriend, the one I had first slept with in my third year of high school. Chills ran through me as I realized how badly I had treated her. I had hardly ever thought about her thoughts or feelings or the pain I had caused her. She was such a sweet and gentle thing, but at the time I had taken her sweetness for granted and later hardly gave her a second thought. What was she doing now? I wondered. And had she forgiven me?

That's the kind of death that frightens me. The shadow of death slowly, slowly eats away at the region of life, and before you know it everything's dark and you can't see, and the people around you think of you as more dead than alive.

You throw a stone into a deep pond. Splash. The sound is big, and it reverberates throughout the surrounding area. What comes out of the pond after that? All we can do is stare at the pond, holding our breath.

There were times he thought it would have been far better to never have known. Yet he continued to return to his core principle: that, in every situation, knowledge was better than ignorance. However agonizing, it was necessary to confront the facts. Only through knowing could a person become strong.

I felt guilty that I hadn't thought of Kizuki right away, as if I had somehow abandoned him. Back in my room, though, I came to think of it this way: two and a half years have gone by since it happened, and Kizuki is still seventeen years old. Not that this means my memory of him has faded. The things that his death gave rise to are still there, bright and clear, inside me, some of them even clearer than when they were new. What I want to say is this: I'm going to turn twenty soon. Part of what Kizuki and I shared when we were sixteen and seventeen has already vanished, and no amount of crying is going to bring that back. I can't explain it any better than this, but I think that you can probably understand what I felt and what I am trying to say.

I mean, all I do here is do the work that my bosses tell me to do the way they tell me to do it. I don't have to think at all. It's like I just put my brain in a locker before I start work and pick it up on the way home. I spend seven hours a day at a workbench, planting hairs into wig bases, then I eat dinner in the cafeteria, take a bath, and of course I have to sleep, like everybody else, so out of a twenty-four-hour day, the amount of free time I have is like nothing. And because I'm so tired from work, the 'free time' I have I mostly spend lying around in a fog. I don't have any time to sit and think about anything. Of course, I don't have to work on the weekends, but then I have to do the laundry and cleaning I've let go, and sometimes I go into town, and before I know it the weekend is over. I once made up my mind to keep a diary, but I had nothing to write, so I quit after a week. I mean, I just do the same thing over and over again, day in, day out.

To him, they looked like shadows that his wife had left behind. Size 7 shadows of his wife hung there in long rows, layer upon layer, as if someone had gathered and hung up samples of the infinite possibilities (or at least the theoretically infinite possibilities) implied in the existence of a human being.

Oshima's silent for a time as he gazes at the forest, eyes narrowed. Birds are flitting from one branch to the next. His hands are clasped behind his head. "I know how you feel," he finally says. "But this is something you have to work out on your own. Nobody can help you. That's what love's all about, Kafka. You're the one having those wonderful feelings, but you have to go it alone as you wander through the dark. Your mind and body have to bear it all. All by yourself.

Let your body work until it is spent, but keep your mind to yourself.

Many are the women who can take their clothes off seductively, but women who can charm as they dress?

A giant octopus living way down deep at the bottom of the ocean. It has this tremendously powerful life force, a bunch of long, undulating legs, and it's heading somewhere, moving through the darkness of the ocean… It takes on all kinds of different shapes—sometimes it's 'the nation,' and sometimes it's 'the law,' and sometimes it takes on shapes that are more difficult and dangerous than that. You can try cutting off its legs, but they just keep growing back. Nobody can kill it. It's too strong, and it lives too far down in the ocean. Nobody knows where its heart is. What I felt then was a deep terror. And a kind of hopelessness, a feeling that I could never run away from this thing, no matter how far I went. And this creature, this thing doesn't give a damn that I'm me or you're you. In its presence, all human beings lose their names and their faces. We all turn into signs, into numbers.

Writing a novel is like having a dream.

It seemed unreasonable, unfair, that a woman so young and beautiful should be so exhausted. Of course, it was neither unreasonable nor unfair. Exhaustion pays no mind to age and beauty. Like rain and earthquakes and hail and floods.

Time weighs down on you like an old, ambiguous dream. You keep on moving, trying to sleep through it. But even if you go to the ends of the earth, you won't be able to escape it. Still, you have to go there- to the edge of the world. There's something you can't do unless you get there.

Well, the death of the body is the flight of the arrow. It's makin' a straight line for the brain. No dodgin' it not for anyone. People have't die, the body has't fall. Time is hurlin' that arrow forward. And yet, like I was sayin' thought goes on subdividin' that time for ever and ever. The paradox becomes real. The arrow never hits.In other words, immortality.

There's a need, too, for a special name in order to distinguish between this present world and the former world in which the police carried old-fashioned revolvers. ... 1Q84 - that's what I'll call this new world. Q is for 'question mark'. A world that bears a question.

Time really is one big continuous cloth, no? We habitually cut out pieces of time to fit us, so we tend to fool ourselves into thinking that time is our size, but it really goes on and on.

Violence does not always take visible form, and not all wounds gush blood.

What alternative is there to the media’s “Us” versus “Them”? The danger is that if it is used to prop up this “righteous” position of “ours” all we will see from now on are ever more exacting and minute analyses of the “dirty” distortions in “their” thinking. Without some flexibility in our definitions we’ll remain forever stuck with the same old knee-jerk reactions, or worse, slide into complete apathy.

There is nothing in this world that never takes a step outside a person's heart.