Fernando Pessoa Quotes

I’m curious about everyone, hungry for everything, greedy for all ideas. My awareness that not everything can be seen, not everything read and not everything thought torments me like the loss of ..... But I don’t see with fixed attention, I don’t read with great care, and I don’t think with continuity. I’m an ardent and inconsequential dilettante in everything. My soul is too weak to sustain the force of its own enthusiasm. Made out of ruins of the unfinished, I’m definable as a landscape of resignations.

To write is to forget. Literature is the most agreeable way of ignoring life. Music soothes, the visual arts exhilarates, the performing arts (such as acting and dance) entertain. Literature, however, retreats from life by turning in into slumber. The other arts make no such retreat— some because they use visible and hence vital formulas, others because they live from human life itself. This isn't the case with literature. Literature simulates life. A novel is a story of what never was, a play is a novel without narration. A poem is the expression of ideas or feelings a language no one uses, because no one talks in verse.

The feelings that hurt most, the emotions that sting most, are those that are absurd - The longing for impossible things, precisely because they are impossible; nostalgia for what never was; the desire for what could have been; regret over not being someone else; dissatisfaction with the world’s existence. All these half-tones of the soul’s consciousness create in us a painful landscape, an eternal sunset of what we are.

In this metallic age of barbarians, only a relentless cultivation of our ability to dream, to analyse and to captivate can prevent our personality from degenerating into nothing or else into a personality like all the rest.

Ah, it's my longing for whom I might have been that distracts and torments me!

To say! To know how to say! To know how to exist via the written voice and the intellectual image! This is all that matters in life; the rest is men and women, imagined loves and factitious vanities, the wiles of our digestion and forgetfulness, people squirming — like worms when a rock is lifted — under the huge abstract boulder of the meaningless blue sky.

To need to dominate others is to need others. The commander is dependent.

Yes it’s me, I myself, what I turned out to be, (…) I’m the one here in myself, it’s me. (…) Whatever I was, whatever I wasn’t—it’s all in what I am. Whatever I wanted, whatever I didn’t want—all of this has shaped me. Whatever I loved, or stopped loving—in me it’s the same nostalgia (Álvaro de Campos)

Great mysteries inhabit the threshold of my being.

Perhaps he still hopes. If there’s any justice in the Gods’ injustice, then may they let us keep our dreams, even when they’re impossible, and may our dreams be happy, even when they’re trivial....Every dream is the same dream, for they’re all dreams. Let the Gods change my dreams, but not my gift for dreaming.

And leaning on the windowsill to enjoy the day, gazing at the variegated mass of the whole city, just one thought fills my soul: that I profoundly wish to die, to cease, to see no more light shining on this city or any city, to think no more, to feel no more, to leave behind the march of time and the sun like a piece of wrapping paper, to remove like a heavy suit – next to the big bed – the involuntary effort of being.

Giving importance to what we think because we thought it, taking our own selves not only (to quote the Greek philosopher) as the measure of all things but as their norm or standard, we create in ourselves, if not an interpretation, at least a criticism of the universe, which we don't even know and therefore cannot criticize. The giddiest, most weak-minded of us then promote that criticism to an interpretation that's superimposed, like a hallucination; induced rather than deduced. It's a hallucination in the strict sense, being an illusion based on something only dimly seen.

Like every dreamer, I've always felt that my calling was to create. Since I've never been able to make an effort or carry out an intention, creation for me has always meant dreaming, wanting or desiring, and action has meant desiring of the acts I wish I could perform.

I realize that I was all error and deviation, that I never lived, that I existed only in so far as I filled time with consciousness and thought.

The Complete Work is essentially dramatic, thought it takes different forms - prose passages in this first volume, poems and philosophies in other volumes. It's the product of the temperament I've been blessed or cursed with - I'm not sure which. All I know is that the author of these lines (I'm not sure if also of these books) has never had just one personality, and has never thought or felt except dramatically - that is, through invented persons, or personalities, who are more capable than he of feeling what's to be felt.

My soul is a hidden orchestra; I know not what instruments, what fiddlestrings and harps, drums and tamboura I sound and clash inside myself. All I hear is the symphony.

By day I am nothing, by night I am I.

From so much self-revising, I’ve destroyed myself. From so much self-thinking, I’m now my thoughts and not I

Isn't joyful or painful this pain in which I rejoice

...And suddenly, from behind me, I hear the metaphysically abrupt arrival of the office boy. I feel like I could kill him for barging in on what I wasn't thinking. I turn around and look at him with a silence full of hatred, tense with latent homicide, my mind already hearing the voice he'll use to tell me something or other. He smiles from the other side of the room and says 'Good afternoon' in a loud voice. I hate him like the universe. My eyes are sore from imagining.

The value of things is not the time they last, but the intensity with which they occur. That is why there are unforgettable moments and unique people!

I look at myself but I'm missing. I know myself: it’s not me.

My soul is impatient with itself, as with a bothersome child; its restlessness keeps growing and is forever the same. Everything interests me, but nothing holds me. I attend to everything, dreaming all the while. […]. I'm two, and both keep their distance — Siamese twins that aren't attached.

Literature is the most agreeable way of ignoring life.

With slight misconceptions of reality we fabricate our hopes and beliefs, and we live off crusts that we call cakes, like poor children who make-believe they’re happy.

My past is everything I failed to be.

Is it that my habit of placing myself in the souls of other people makes me see myself as others see or would see me if they noticed my presence there? It is. And once I've perceived what they would feel about me if they knew me, it is as if they were feeling and expressing it at that very moment. It is a torture to me to live with other people. Then there are those who live inside me. Even when removed from life, I'm forced to live with them. Alone, I am hemmed in by multitudes. I have nowhere to flee to, unless I were to flee myself.

The cause of my profound sense of incompatibility with others is, I believe, that most people think with their feelings, whereas I feel with my thoughts.For the ordinary man, to feel is to live, and to think is to know how to live. For me, to think is to live, and to feel is merely food for thought.

A boat would seem to be an object whose one purpose is to travel, but its real purpose is not to travel but to reach harbour. We found ourselves on the high seas, with no idea of which port we should be aiming for.

Our problem isn't that we're individualists. It's that our individualism is static rather than dynamic. We value what we think rather than what we do. We forget that we haven't done, or been, what we thought; that the first function of life is action, just as the first property of things is motion.

No intelligent idea can gain general acceptance unless some stupidity is mixed in with it

There are moments, such as the one that oppresses me now, when I feel my own self far more than I feel external things, and everything transforms into a night of rain and mud where, lost in the solitude of an out-of-the-way station, I wait interminably for the next third-class train.

All pleasure is a vice because seeking pleasure is what everyone does in life, and the worst vice of all is to do what everyone else does.

All I’ve ever done is dream. That, and only that, has been the meaning of my existence. The only thing I’ve ever really cared about is my inner life. My greatest griefs faded to nothing the moment I opened the window onto my inner self and lost myself in watching.I never tried to be anything other than a dreamer. I never paid any attention to people who told me to go out and live. I belonged always to whatever was far from me and to whatever I could never be. Anything that was not mine, however base, always seemed to be full of poetry. The only thing I ever loved was pure nothingness.

I don't even suffer. My disdain for everything is so complete that I even disdain myself. The contempt I have for the sufferings of others I also have for my own. And so all my suffering is crushed under the foot of my disdain.

We, all who live, haveA life that is livedAnd another life that is thought,And the only life we haveIt's the one that is dividedIn right or wrong.

To have touched the feet of Christ is no excuse for mistakes in punctuation.If a man writes well only when he's drunk, then I'll tell him: Get drunk. And if he says that it's bad for his liver, I'll answer: What's your liver? A dead thing that lives while you live, whereas the poems you write live without while.

Children are particularly literary, for they say what they feel not what someone has taught them to feel.

Everything that happens where we live happens in us. Everything that ceases in what we see ceases in us. Everything that has been, if we saw it when it was, was taken from us when it went away.

I’ve dreamed a lot. I’m tired now from dreaming but not tired of dreaming. No one tires of dreaming, because to dream is to forget, and forgetting does not weigh on us, it is a dreamless sleep throughout which we remain awake. In dreams I have achieved everything.

In the ordinary jumble of my literary drawer, I sometimes find texts I wrote ten, fifteen, or even more years ago. And many of them seem to me written by a stranger: I simply do not recognize myself in them. There was a person who wrote them, and it was I. I experienced them, but it was in another life, from which I just woke up, as if from someone else's dream.

I hesitate in everything, often without knowing why. How often I've sought – as my own version of the straight line, seeing it in my mind as the ideal straight line – the longest distance between two points. I've never had a knack for the active life. I've always taken wrong steps that no one else takes; I've always had to make an effort to do what comes naturally to other people. I've always wanted to achieve what others have achieved almost without wanting it. Between me and life there were always sheets of frosted glass that I couldn't tell were there by sight or by touch; I didn't live that life or that dimension. I was the daydream of what I wanted to be, and my dreaming began in my will: my goals were always the first fiction of what I never was.

I am nothing.I'll never be anything.I couldn't want to be something.Apart from that, I have in me all the dreams in the world.

The human soul is an abyss

Everything is interconnected. My readings of classical authors, who never speaks of sunsets, have made many sunsets intelligible to me, in all their colors. There is a relationship between syntactical competence, by which we distinguish the values of beings, sounds and shapes, and the capacity to perceive when the blue of the sky is actually green, and how much yellow is in the blue green of the sky. It comes down to the same thing - the capacity to distinguish and to discriminate. There is no enduring emotion without syntax. Immortality depends of the grammarians.

I'll be living quietly in a house somewhere in the suburbs, enjoying a peaceful existence not writing the book I'm not writing now and, so as to continue not doing so, I will come up with different excuses from the ones I use now to avoid actually confronting myself. Or else I'll be interned in a poorhouse, content with my utter failure, mingling with the riffraff who believed they were geniuses when in fact they were just beggars with dreams, mixing with the anonymous mass of people who had neither the strength to triumph nor the power to turn their defeats into victories.

Look, there's no metaphysics on earth like chocolates.

At the end of this day there remains what remained yesterday and what will remain tomorrow: the insatiable, unquantifiable longing to be both the same and other.

Anonymous > Quotes > Quotable Quote“I see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don’t know where it will take me, because I don’t know anything. I could see this inn as a prison, for I’m compelled to wait in it; I could see it as a social centre, for it’s here that I meet others. But I’m neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlours, from where their songs and voices conveniently drift out here to me. I’m sitting at the door, feasting my eyes and ears on the colours and sounds of the landscape, and I softly sing – for myself alone – wispy songs I compose while waiting.

Freedom is the possibility of isolation. You are free if you can withdraw from people, not having to seek them out for the sake of money, company, love, glory or curiosity, none of which can thrive in silence and solitude. If you can't live alone, you were born a slave. You may have all the splendours of the mind and the soul, in which case you're a noble slave, or an intelligent servant, but you're not free. And you can't hold this up as your own tragedy, for your birth is a tragedy of Fate alone. Hapless you are, however, if life itself so oppresses you that you're forced to become a slave. Hapless you are if, having been born free, with the capacity to be isolated and self-sufficient, poverty should force you to live with others.

If I write what I feel, it's to reduce the fever of feeling. What I confess is unimportant, because everything is unimportant.

There's a non-existent peace in the uncertain quietness

Action disconcerts us, partly because of our physical incompetence, but mainly because it offends our moral sensibility. We consider it immoral to act. It seems to us that every thought is debased when expressed in words, which transform the thought into the property of others, making it understandable to anyone who can understand it.

If the heart could think it would stop beating.

I had come from wondrous lands, from landscapes more enchanting than life, but only to myself did I ever mention these lands, and I said nothing about the landscapes which I saw in dreams. My feet stepped like theirs over the floorboards and the flagstones, but my heart was far away, even if it beat close by, false master of an estranged and exiled body.

That is how I experience life, as apocalypse and cataclysm. Each day brings an increasing inability in myself to make the smallest gesture, even to imagine myself confronting clear, real situations.The presence of others - always such an unexpected event for the soul - grows daily more painful and distressing. Talking to others makes me shudder. If they show any interest in me, I flee. If they look at me, I tremble.I am constantly on the defensive. Life and other people bruise me. I can't look reality in the eye. The sun itself leaves me feeling discouraged and desolate.

Without madness what is manBut a wholesome beast,Postponed corpse that begets?

I never paid any attention to people who told me to go out and live. I belonged always to whatever was far from me and to whatever I could never be. Anything that was not mine, however base, always seemed to me to be full of poetry. The only thing I ever loved was pure nothingness.

I feel closer ties and more intimate bonds with certain characters in books, with certain images I’ve seen in engravings, than with many supposedly real people with the metaphysical absurdity known as ‘flesh and blood’. In fact, ‘flesh and blood’ describes them very well: they resemble cuts of meat laid out on the butcher’s marble slab, dead creatures bleeding as though still alive.

Only poets and philosophers see the world as it really is, for only to them is it given to live without illusions. To see clearly is to not act.