Dave Eggers Quotes

You don’t know what it’s like to be a man over thirty who’s never had anything happen to him. You spend so many years trying to stay safe, stay alive, to avoid some unknown horror. Then you realize the horror is existence itself. The nothing-happening.

How lame this is, how small, terrible. Or maybe it is beautiful. I can't decide if what I am doing is beautiful and noble and right, or small and disgusting.

That’s what’s new. There used to be the option of opting out. But now that’s over. Completion is the end. We’re closing the circle around everyone—it’s a totalitarian nightmare.

Maybe he hadn't thought the war through. It had seemed like simple fun when he had first pictured it, with a glorious beginning, a difficult but valor-filled middle, and a victorious end. He hadn't accounted for the fact that there might not be much of a resolution to the battle, and he hadn't imagined what it would feel like when the war just sort of ended, without anyone admitting defeat and congratulating him for his bravery.

You have what I can afford to give. You are a panhandler, begging for anything, and I am the man walking briskly by, tossing a quarter or so into your paper cup. I can afford to give you this. This does not break me.

Dear Producers, Something is radiating deep within me and it must be transmitted or I will implode and the world will suffer a great loss, unawares. Epic are the proportions of my soul, yet without a scope who cares am I? This is why I must but must be one of the inhabitants of MTV's "Real World." Only there, burning brightly into a million dazzled eyes, will my as yet uncontoured self assume the beauteous forms that are not just its own, but an entire market niche's, due. I am a Kirk Cameron-Kurt Cobain figure, roguishly quirky, dandified but down to earth, kooky but comprehensible; denizen of the growing penumbra between alternative and mainstream culture; angsty prophet of the already bygone apocalypse, yet upbeat, stylish and sexy!Oscar Wilde wrote, "Good artists exist in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating... [they] live the poetry [they] cannot write." As with Dorian Gray, life is my art! Oh MTV, take me, make me, wake me from my formless slumbers and place me in the dreamy Real World of target marketing.

Who were these people, all of them young couples, a few fabulous ones, tall thin-haired blondes with toned men in perfectly pressed jeans -- neither fearing the loss of the other.

The country he had left thirty years ago had been a realistic place. There were political realities there, then and now, that precluded blind faith, that discouraged one from thinking that everything, always, would work out fairly and equitably. But he had come to believe such things in the United States. Things had worked out. Difficulties had been overcome. He had worked hard and achieved success. The machinery of government functioned.

It was like setting up a guillotine in the public square.You don't expect a thousand people to line up to put their heads in it.

Here though, there are no oppressors. No one's forcing you to do this. You willingly tie yourself to these leashes. And you willingly become utterly socially autistic. You no longer pick up on basic human communication clues. You're at a table with three humans, all of whom are looking at you and trying to talk to you, and you're staring at a screen! Searching for strangers in... Dubai!

You better [start writing] now because you know how to write, and you have fingers, and you have this one life, and during this one life, you should put your words down, and make your voice heard, and then let others hear your voice. And the only way any of that’s going to happen is if you actually do it. People can’t read the thoughts in your head. They can only read the thoughts you put down, carefully and with great love, on the page.So you have to do it, goddamnit.

If you don't want anyone to know about your existence, you might as well kill yourself. You're taking up space, air.

The idea we came up with, well before we left, was something we coined Performance Literature. Excuse the use of that second word, because I realize it's presumptuous. Also, excuse the first word, and the term in general.

I wondered quickly if I'd give my life so that a dragon could live. If someone offered me that deal, your life for the existence of dragons.I thought maybe yes, maybe no.

If things continue this way, there will be two societies - or at least I hope there will be two - the one you're helping create, and an alternative to it. You and your ilk will live, willingly, joyfully, under constant surveillance, watching each other always, commenting on each other, voting and liking and disliking each other, smiling and frowning, and otherwise doing nothing much else.

I want to be seen. I want proof I existed.

This democracy thing, or Demoxie, whatever it is, good god. Under the guise of having every voice heard, you create mob rule, a filterless society where secrets are crimes.

Surveillance shouldn't be the tradeoff for any goddamn service we get.

I was feeling everything much too much. Everything was pulling at my eyes. I spent hours floating in pools. I sat on terraces and stared for afternoons at mediocre views. I was feeling overjoyed for happy couples. I would see or hear about people, usually people I hardly knew or didn't even like, getting together, finding each other after so much groping, and I would feel bliss. I was blindsided by familiar things.

We are all feeding from each other, all the time, every day.

Your memory has always been given to opportunistic revision.

Now, you and I both know that if you can control the flow of information, you can control everything.

How had this happened? Everyone in the world knew more than us, about everything, and this I hated then found hugely comforting.

Grief doesn't arrive on schedule, as much as we'd like to.

You will die, and when you die, you will know a profound lack of it [dignity]. It's never dignified, always brutal. What's dignified about dying? It's never dignified. And in obscurity? Offensive. Dignity is an affectation, cute but eccentric, like learning French or collecting scarves. And it's fleeting and incredibly mercurial. And subjective. So fuck it.

I was trying to make the web more civil. I was trying to make it more elegant. I got rid of anonymity. I combined a thousand disparate elements into one unified system. But I didn’t picture a world where Circle membership was mandatory, where all government and all life was channeled through one network.

We are unusual and tragic and alive.

If you don’t have something grand for men like us to be part of, we will take apart all the little things. Neighbourhood by neighbourhood. Building by building. Family by family.

[M]y mother read a horror novel every night. She had read every one in the library. When birthdays and Christmas would come, I would consider buying her a new one, the latest Dean R. Koontz or Stephen King or whatever, but I couldn't. I didn't want to encourage her. I couldn't touch my father's cigarettes, couldn't look at the Pall Mall cartons in the pantry. I was the sort of child who couldn't even watch commercials for horror movies - the ad for Magic, the movie where marionette kills people. sent me into a six-month nightmare frenzy. So I couldn't look at her books, would turn them over so their covers wouldn't show, the raised lettering and splotches of blood - especially the V.C. Andrews oeuvre, those turgid pictures of those terrible kids, standing so still, all lit in blue.

I had forgotten that, and so many things. How could I put everything down on paper? It seemed impossible. No matter what, the majority of life would be left out of this story, this sliver of a version of the life I'd known. But I tried anyway.

We would oppose the turning of the planet and refuse the setting of the sun.

Director of Ensuring the Future

He handed Mae a piece of paper, on which he'd written, in crude all capitals, a list of assertions under the headline "The Rights of Humans in a Digital Age." Mae scanned it, catching passages: "We must all have the right to anonymity." "Not every human activity can be measured." "The ceaseless pursuit of data to quantify the value of any endeavour is catastrophic to true understanding." "The barrier between public and private must remain unbreachable." At the end she found one line, written in red ink: "We must all have the right to disappear.

Always we learn things and then we forget them.

We have advantages. We have a cushion to fall back on. This is abundance. A luxury of place and time. Something rare and wonderful. It's almost historically unprecedented. We must do extraordinary things. We have to. It would be absurd not to.

Everyone will be tracked, cradle to grave, with no possibility of escape.

Not that there seems to be any appropriate place to bury someone, but these municipal cemeteries, or any cemetery at all for that matter, like the ones by the highway, or the ones in the middle of town, with all these bodies with their corresponding rocks - oh it's just too primitive and vulgar, isn't it? The hole, and the box, and the rock on the grass? And we glamorize this process, feel it fitting and dramatic, austerely beautiful, standing there by the hole as we lower the box. It's incredible. Barbaric and base.

Why shouldn’t your curiosity about the world be rewarded?

I mean, all this stuff you're involved in, it's all gossip. It's people talking about each other behind their backs. That's the vast majority of this social media, all these reviews, all these comments. Your tools have elevated gossip, hearsay and conjecture to the level of valid, mainstream communication. And besides that, it's fucking dorky.

The death of a young person for no reason is an apocalypse.

So many of the things I invented I honestly did for fun, out of some perverse game of whether or not they’d work, whether people would use them. I mean, it was like setting up a guillotine in the public square. You don’t expect a thousand people to line up to put their heads in it

Max had to think about these new developments. He hadn't liked getting hit by a rock--his stomach still ached from then rock Judith had thrown--but then again, when his team had used rocks on Alexander, it had caused him to surrender. Now the Bad Guys only had three soldiers left, which would make victory for Max's team more likely. So now it made perfect sense. He was wrong to ban rocks, or even animals. The key was to use all the weapons at one's disposal, but to just make sure you won when you used them.

You see pictures of Buddha and he’s sitting, reclining, at peace. The Hindus have their twelve-armed elephant god, who also seems so content but not powerless. But leave it to Christians to have a dead and bloody man nailed to a cross.

I should probably get a stone. A stone would be good. A stone would save me, would salvage all the damage we had already done, all the things we had given up or lost.

I will not wait to love as best as I can. We thought we were young and that there would be time to love well sometime in the future. This is a terrible way to think. It is no way to live, to wait to love.

We have no choice. We need the communion of souls and only here are they awake.

Here I am Rock You Like a Hurricane.

You look at pictures of Nepal, push a smile button, and you think that’s the same as going there.

She needs a new journal. The one she has is problematic. To get to the present, she needs to page through the past, and when she does, she remembers things, and her new journal entries become, for the most part, reactions to the days she regrets, wants to correct, rewrite.

It is very much, she thinks, like looking at the moon and knowing one could make it there, too. It is only time and breath that stand between her and the top. She is young. She'll do it and have done it.

The raising of a child is the building of a cathedral. You can't cut corners.

I will tell these stories...because to do anything else would be something less than human. I speak to these people, and I speak to you because I cannot help it. It gives me strength, almost unbelievable strength, to know that you are there. I covet your eyes, your ears, the collapsible space between us. How blessed are we to have each other? I am alive and you are alive so we must fill the air with our words. I will fill today, tomorrow, every day until I am taken back to God. I will tell stories to people who will listen and to people who don't want to listen, to people who seek me out and to those who run. All the while I will know that you are there. How can I pretend that you do not exist? It would be almost as impossible as you pretending that I do not exist.

For a moment, she thought it natural in a way seeing a plane fall from the sky can seem natural, too. The horror comes later.

He was warm, partly because he had on many layers, and partly because boys whoa re part wolf and part wind do not get cold.

When you're in your twenties in a new city where no one's from here, we're all sort of orphans. The only people that you can count on our bunch of people that you work with and that you know. You're only as good as the reliability of that latticework.

The men who are dropped in a jungle or a desert and expected video games and got mundanity and depravity and friends dying like animals.

There’s less need to slowly acclimate these guys to the tank,” Bailey said. “They’ll be food pretty soon, so their happiness is less important than the shark’s.

People worried about our passing over into some robotic state, but we were so much like robots already, programmed and easy to manipulate.

Books have a unique way of stopping time in a particular moment and saying: Let’s not forget this.

Hand, nobody told me about the weight. Why didn't our parents tell us about the weight?—What weight?—The fucking weight, Hand. How does the woman Ingres live? The one from Marrakesh? If we're vessels, and we are, then we, you and I, are overfull, and that means she's at the bottom of a deep cold lake. How can she stand the hissing of all that water?—We are not vessels; we are missiles.—We're static and we're empty. We are overfull and leaden.—We are airtight and we are missiles and all-powerful.