Catie Marron Quotes

spaces that at first may appear to reflect a simple condition are much more complex when the actions of individuals and groups are factored in. These unique patterns of movement through space can and should guide the architecture we build to serve them. For space only becomes truly public when people recognize it and utilize it as such. Great public space cannot be built as much as curated; it is architecture's responsibility to craft space in response to specific needs and unique practices. . . . it is not the space itself that is meaningful; it is the way space facilitates diversity, interaction, and new negotiations that makes it meaningful [David Adjaye, "Djemaa El-Fnaa, Marrakech: Engaging with Complexity and Diversity"].

In newer countries, you often find two types of public square: one that is older, organic, chaotic, and populated; and one that is recent, planned, orderly, and deserted. The first type predates the nation-state and accretes over time to accommodate the habits and needs, mainly commercial ones, of ordinary city dwellers. Its names are maidan, souq, bazaar, market. The second is constructed according to a master plan to embody the idealized qualities of the nation, often with grandiose results. The first thrusts people together in a public space, a hive if activity. Its essence is accidental and spontaneous. The second leaves nothing to chance. It tells people that they are subservient to the state and, in a sense, irrelevant to it [George Packer, "History: Influence on Humanity"].

As always, violence created more violence [Jehane Noujaim, "Tahrir Square, Cairo: Lost and Found in the Square"].

This deeply free and public space plays a vital role in our world, equally important in our digital age as in Greco-Roman times, when they were marketplaces for goods and ideas. As common ground, squares are equitable and democratic; they have played a fundamental role in the development of free speech.

Come on guys, let's be serious. If you really want to do something, don't just 'like' this post. Write that you are ready, and we can try to start something" [Mustafa Nayyem quoted in Chrystia Freeland, "Euromaidan, Kiev: A Place Becomes A Movement"].

When the great sixteenth-century Ottoman architect Sinan would start building a new mosque, he would make sure both the design and the project were in harmony with the city's history and the city's spirit [Jehane Noujaim, "Tahrir Square, Cairo: Lost and Found in the Square"].

a city square that's designed on a scale to express national greatness is hostile to the human intimacy necessary for freedom's space [George Packer, "History: Influence on Humanity"].

Squares have defined urban living since the dawn of democracy, from which they are inseparable. From the start, the public square has been synonymous with a society that acknowledges public life and a life in public, which is to say a society distinguishing the individual from the state [Michael Kimmelman, "Culture: Power of the Place"].

The battle over society—its direction, its temper, its organization, its character—is often played out on the square. But the battle rarely ends; it does not easily resolve [David Remnick, "Geopolitics: Strength in Numbers"].

a square is not just about light, air, proportion, and people. It must also give form to some shared notion of civic identity. [Michael Kimmelman, "Culture: Power of the Place"].