Paul Quarrington Quotes

Mind you, Thunder Bay has a lot of outskirts. It's actually two cities melded together, so in a sense it has twice as many outskirts as other places. It's understandable that we got lost....

Like all of my important memories, it has a potency that has influenced the pocket of time that holds it, so I can remember that particular Saturday afternoon, even though in many ways it was no different from any other. I can remember, for example, what van der Glick was wearing as she stepped out of the elevator, which was a dress covered with clownish polka dots. Rainie would make these heartbreaking stabs at femininity; indeed, she still does. It's not that she doesn't possess a woman's body now, and didn't posses a girl's body then. But clothes never seemed to fit her correctly, and the more girlish they were, the worse they would hang.

The man behind the check-in counter gives the impression that he has just axe-murdered the motel's owner (and family, and family pet) and is going through these procedures of hostelry so as not to arouse suspicion.

Let us accept the possibility that there is, at death, not an abrupt cessation of energy, rather a dispersal. This seems more than reasonable to me. Mind you, I've owned a series of old cars, and I"m used to turning off the motor only to experience a series of rumblings and explosions that would shame many a volcano. This is the sort of thing I'm conceptualizing, a kind of clunky running-on. And just as some cars are more susceptible to this behavior, so people vary in the length of time, and the force with which, their energy sputters and gasps. . . My example is overly dramatic, but it is not wholly unreasonable, and it serves to make this genetic mutation a player at the evolutionary table. You see what I'm getting at: a biologically and evolutionally sound model for the soul. (I didn't say I'd achieved it.) Let's conceive of the soul as an aura that human beings wear on their backs, cumberson as a tortoise's carapace. Some are larger than others.

I had another reason for seeking Him, for trying to espy His face, a professional one. God and literature are conflated in my mind. Why this is, I’m not sure. Perhaps because great books seem heavensent. Perhaps because I know that each nove is a puny but very valiant attempt at godlike behavior. Perhaps because there is no difference between the finest poetry and most transcendent mysticism. Perhaps because writers like Thomas Merton, who are able to enter the realm of the spirit and come away with fine, lucid prose. Perhaps because of more secular writers, like John Steinbeck, whose every passage, it seems to me, peals with religiousity and faith. It once occured to me that literature — all art really — is either talking to people about God, or talking to God about people.