Billy Marshall-Stoneking Quotes

POUNDttWe spend twelve hundred generations developing t so-called civilization to the point where it produces an expert who can offer us salvation from our superstitions, and all we end up with is another superstition! If it takes someone like Freud to save us from our neuroses, what’s ttit gonna take to save us from Freud?

The answer to the question, 'where's the drama?' is another question: 'what's the problem?

As a writer, you can’t get to where you want to be, coming from the place you started, unless you have something extremely important you want to say to someone who really doesn’t want to know.

The burning off and the gathering together are one.

Fear is elemental to every human endeavour involving risk and change, which includes ALL creative endeavours. To be creative is to be anxious. To endure the anxiousness - to face it and work with it, to allow it to lay bare what has been hidden - is the beginning of faith, which, in a certain sense, is the courage to become, to become present, along with all the other characters, tribes and audiences whose actions move the unfolding drama that is the world.

Your audience is your adversary. If you don't have one get one - imagine it. Imagine it now. To whom is your story addressed and why? Audience is always a creative act of the imagination. You can't tell your story effectively and leave it out. It must be alive in you, vividly alive. It is in conflict with everything that is false in what you have written. If it is an audience worthy of your talent and potential, it won't let you slide by the lies, the laziness, the shortcuts. If you don't take audience seriously, you can be sure it will return the favor.

The story writes you as much as you write it. And the process of re-writing isn't so much a quest to re-write the story as it is to re-write the writer.

As a screenwriter - if you are completely honest with yourself - you can’t help but admit that your greatest threat is the audience, where audience is not understood as a demographic category but as a character outside the script to whom the story is addressed. A good part of the drama necessary for uncovering the story resides in the conflict between the storyteller and his/her audience. Audience plays the part of antagonist to the writer’s role as protagonist. The writer drives the action, which is forever complicated, frustrated and undermined by the audience’s needs and sensibilities. Audience wants you to prove it. Audience has a chip on its shoulder, and doesn’t give a damn. Audience has been there and done that in the guise of your mother, your father, your ex-, your worst enemy. Audience laughs at your stupidity and dares you to change its view of you and the story world that you would have it care about. Audience is defiant. It has your number. The only way you can defeat it is by carrying a bigger stick - your only defence is an inspired offence, namely the story.