Miriam Toews Quotes

Let's not have forced gaiety this Christmas, said Nora, like it was a dish. We'll have a tiny bit of it, I said.

Everything in life, except her kids, made her impatient. She had tried to do a million things. She'd wanted to be a documentary filmmaker and then a painter and then a tiny-ceramic-figure maker. None of it panned out. She'd be full of enthusiasm at first, full of big ideas and energy and drive, but it would all gradually evaporate and disappear. She could never maintain the momentum or the concentration or the confidence she needed to get anything done.

We drove down Corydon avenue towards my mother's apartment. How are you doing, she asked me? Fine, fine, I said. I wanted to tell her that I felt I was dying from rage and that I felt guilty about everything and that when I was a kid I woke up every morning singing, that I couldn't wait to leap out of bed and rush out of the house into the magical kingdom that was my world, that dust made visible in sunbeams gave me real authentic joy, that my sparkly golden banana-seated bike with the very high sissy bar took my breath away, the majesty of it, that it was mine, that there was no freer soul in the world than me at age nine, and that now I wake up every morning reminding myself that control is an illusion, taking deep breaths and counting to ten trying to ward off panic attacks and hoping that my own hands hadn't managed to strangle me while I slept.

Our dreams are little stories or puzzles that we must solve to be free, Sebastian said. He was reading out loud from Wilson's notebook. My dream is me offering me a solution to the conundrum of my life. My dream is me offering me something that I need and my responsibility to myself is to try to understand what it means. Our dreams are a thin curtain between survival and extinction.

I heard Tash say: Nomi, you’re sad man. Get a grip. Walk away. What have I taught you? And I thought: You taught me that some people can leave and some can’t and those who can will always be infinitely cooler than those you can’t and I’m one of the ones who can’t because you’re one of the ones who did and there’s this old guy in a wool suit sitting in an empty house who has no one but me now thank you very, very, very much.

Tina nods sagely and says yes and then something in Plautdietsch, probably something like heck yeah do we ever know what sad is. Sadness is what holds our bones in place.

But love, like a mushroom high compared with the buzz from cheap weed, outlasts grief.

She told me that the brain is built to forget things as we continue to live, that memories are meant to fade and disintegrate, that skin, so protective in the beginning because it has to be to protect our organs, saga eventually - because the organs aren't so hot anymore either - and sharp edges become blunt, that the pain of letting go of grief is just as panful or even more painful than the grief itself.