Craig Raine Quotes

In the morning, when she walked to the consulate, carefully watching her sandals on the pavement, she glanced up and saw a Negro wearing a stack of panama hats. Maybe twelve. She never forgot the bandoeon of brims, the perfect stutter of hat.

Caxtons are mechanical birds with many wings and some are treasured for their markings-- they cause the eyes to melt or the body to shriek without pain. I have never seen one fly, but sometimes they perch on the hand. Mist is when the sky is tired of flight and rests its soft machine on the ground: then the world is dim and bookish like engravings under tissue paper. Rain is when the earth is television. It has the properites of making colours darker. Model T is a room with the lock inside -- a key is turned to free the world for movement, so quick there is a film to watch for anything missed. But time is tied to the wrist or kept in a box, ticking with impatience. In homes, a haunted apparatus sleeps, that snores when you pick it up. If the ghost cries, they carry it to their lips and soothe it to sleep with sounds. And yet, they wake it up deliberately, by tickling with a finger. Only the young are allowed to suffer openly. Adults go to a punishment room with water but nothing to eat. They lock the door and suffer the noises alone. No one is exempt and everyone's pain has a different smell. At night, when all the colours die, they hide in pairs and read about themselves -- in colour, with their eyelids shut.

Begin with the soft smelted upturned heart-shaped mouth made for smiling a smile kept for kindness, tenderness, incapable of malice. Am I going too fast for you?The almond eyes see out through their sleepy epicanthic fold. Trusting and calm, if a flicker from slowness, a further flicker from stupidity.Settled in slow-motion beauty, heart-breaking beauty.

In his autobiography Stravinsky relates that the first music he remembers was made by a peasant, working his hand in his armpit to produce a rhytmic farting.

No one is exempt and everyone's pain has a different smell. At night, when all the colours die,they hide in pairsand read about themselves—in colour, with their eyelids shut.

The task of the artist at any time is uncompromisingly simple — to discover what has not yet been done, and to do it.

...much of poetry in the making is the fiddle with a few items. You lay a word against another and wait. You try another word. And another. Yet another. You wait. You begin again. Listening. Looking. For the elusive inevitable thing which has to arrive before it is recognised. And, like Odysseus, may not be recognised at first.